Journal in France in 1845 and 1848 with Letters from Italy in 1847: Of Things and Persons Concerning the Church and EducationAllies, T. W. (Thomas William)
Religion
Journal in France in 1845 and 1848 with Letters from Italy in 1847: Of Things and Persons Concerning the Church and Education
Allies, T. W. (Thomas William)
France -- Church history -- 19th century; Italy -- Church history -- 19th century
In concluding this subject I must add that I by no means sought for
such facts as these cures--they came in my way while engaged in other
inquiries: I did not think it fit or honest to turn away from them so
coming, but endeavoured to ascertain the truth by every means in my
power. I now set them forth with the evidence which I was able to
collect about them. I am also bound to say that, since I have come to
the knowledge of these cures, I have been informed, on the best
authority, of two results, approaching at least to the same miraculous
character, following immediately from the reception of our Lord in the
Holy Eucharist. These occurred very lately in the Anglican communion.
_Saturday, August 12._--I had heard so much of the grandeur of
Bourges Cathedral, and the beauty of its windows, that I determined to
judge for myself. So this morning left by the 8 A.M. train for Orléans
and Bourges. Up to Etampes the country is pleasing and broken in
parts. From thence to the forest of Orléans is an immense plain, rich
in produce, but treeless, dull, and flat as a pancake. From Orléans to
Vierzon is another immense plain, desert, sandy, and solitary; after
this the country improves to Bourges. Visited the cathedral at
Orléans: the western front is fine, well arranged, and forming a
somewhat striking unity; but the interior is bare, poor, and most
displeasing to the eye, which is pained at so bad an imitation of
Gothic. As soon as I reached Bourges I went to the cathedral: the west
front, in spite of its five deeply recessed portals, the central one
of which is very beautiful, sadly disappointed me--it is totally
deficient in unity, and will bear no comparison with that of Amiens,
not to mention Reims. The towers are positively ugly; the worst effect
being produced by buttresses, which protrude in the most inelegant
shape, their strength not at all veiled by ornaments. The interior is
very grand: it is peculiar in having no transept, but double aisles
continued throughout, the nearest of which to the centre is of
inordinate height. Round the choir the huge lancet windows, crowned
with roses, are of great beauty; but unfortunately they are not
complete, as at Chartres, with the effect of which I do not think
Bourges will bear a comparison. The pillars, of which there are twelve
on each side from the west front to the apse of the choir, are
cylinders with eight engaged columns; they look lighter than those of
Amiens and Reims, and very lofty from the height of the first aisle,
which must be seventy feet, and has a triforium like the centre.
Grand, however, as Bourges is in some respects, I should not put it in
the first rank of churches, with Amiens, Milan, Cologne, Reims, and
St. Ouen. It is in the first style, like Chartres. The apse has none
of the magic lightness of Amiens, Cologne, or St. Ouen. From the north
tower is an immense view over the country, which has some eminences,
but not strongly marked features.
Public-domain text, read in full here on John Shaqi.
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