Atlantic States -- Description and travel; Kemble, Fanny, 1809-1893; United States -- Social life and customs -- 1783-1865
youth, ----, insisted upon my accepting his beautiful large dog,
Neptune, which I did conditionally, in case Mr. ---- should fail me,
which I think a very improbable case indeed. They ordered the carriage,
and Mr. ---- persisted in seeing me home in it, much to my annoyance, as
'twas a very useless ceremony indeed. Did not dishabit, but dined _en
amazone_.
* * * * *
Gave D---- her muff and tippet, which are exceedingly magnificent. After
dinner, pottered about, and dressed at once. Played on the piano till
nine, when we adjourned to ----'s. A complete "small party, my dear."
Dr. ---- was there, whom I was glad to see; also Mrs. ----; also Mr. and
Miss ----; also that Mrs. ----, who is utter horror and perturbation of
spirit to me; also ----; also ----; all our riding party, and a world
besides. After a little time, dancing was proposed; and I stood up to
waltz with Mr. ----, who observed that Dr. ---- was gone, as he never
chose to be present while waltzing was going on. I felt shocked to death
that unconsciously I should have been instrumental in driving him away,
and much surprised that those who knew his disapprobation of waltzing
should have proposed it. However, he was gone, and did not return.
Therefore I waltzed myself out of my conscientious remorse. Sang them
Fanny Gray, and Ye Mariners of Spain. Danced sundry quadrilles; and,
finally, what they called a Kentucky reel,--which is nothing more than
Sir Roger de Coverley turned Backwoodsman--and afterwards a "foursome
reel." Played magic music; and, finally, at one o'clock, came home,
having danced myself fairly off my legs.
_Thursday, 22d._
It poured with rain all day. Dr. ---- called, and gave me a sermon about
waltzing. As it was perfectly good sense, to which I could reply
nothing whatever in the shape of objection, I promised him never to
waltz again, except with a woman, or my brother.
* * * * *
Public-domain text, read in full here on John Shaqi.
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