Atlantic States -- Description and travel; Kemble, Fanny, 1809-1893; United States -- Social life and customs -- 1783-1865
another,--the expounder, as it were, of things which another has set
down; and a fine piece of acting is at best, in my opinion, a fine
translation. Moreover, it is not alone to charm the senses that the
nobler powers of mind were given to man; 'tis not alone to enchant the
eye, that the gorgeous pallet of the painter, and the fine chisel of the
statuary, have become, through heavenly inspiration, magical wands,
summoning to life images of loveliness, of majesty, and grace; 'tis not
alone to soothe the ear that music has possessed, as it were, certain
men with the spirit of sweet sounds; 'tis not alone to delight the
fancy, that the poet's great and glorious power was given him, by which,
as by a spell, he peoples all space, and all time, with undying
witnesses of his own existence; 'tis not alone to minister to our senses
that these most beautiful capabilities were sown in the soil of our
souls. But 'tis that, through them, all that is most refined, most
excellent and noble, in our mental and moral nature, may be led through
their loveliness, as through a glorious archway, to the source of all
beauty and all goodness. It is that by them our perceptions of truth may
be made more vivid, our love of loveliness increased, our intellect
refined and elevated, our nature softened, our memory stored with images
of brightness, which, like glorious reflections, falling again upon our
souls, may tend to keep alive in them the knowledge of, and the desire
after, what is true, and fair, and noble. But, that art may have this
effect, it must be to a certain degree enduring. It must not be a
transient vision, which fades and leaves but a recollection of what it
was, which will fade too. It must not be for an hour, a day, or a year,
but abiding, inasmuch as any thing earthly may abide, to charm the sense
and cheer the soul of generation after generation. And here it is that
the miserable deficiency of acting is most apparent. Whilst the poems,
the sculptures, of the old Grecian time yet remain to witness to these
latter ages the enduring life of truth and beauty; whilst the poets of
Rome, surviving the trophies of her thousand victories, are yet familiar
in our mouths as household words; whilst Dante, Boccaccio, that giant,
Michael Angelo, yet live, and breathe, and have their being amongst us,
through the rich legacy their genius has bequeathed to time; whilst the
wild music of Salvator Rosa, solemn and sublime as his painting, yet
rings in our ears, and the souls of Shakspeare, Milton, Raphael, and
Titian, are yet shedding into our souls divinest influences from the
very fountains of inspiration;--where are the pageants that, night after
night, during the best era of dramatic excellence, riveted the gaze of
thousands, and drew forth their acclamations?--gone, like rosy sunset
clouds;--fair painted vapours, lovely to the sight, but vanishing as
dreams, leaving no trace in heaven, no token of their ever having been
there.
Public-domain text, read in full here on John Shaqi.
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