Atlantic States -- Description and travel; Kemble, Fanny, 1809-1893; United States -- Social life and customs -- 1783-1865
Before we went
away, Mr. ---- showed us a picture of Lady ----, by Lawrence. It looked
quite refreshing, with its lovely dark curls unfrizzed, and the form of
the neck and arms undisguised by the hideousness of modern fashions. Saw
a very good likeness, too, of the Duke of ----. 'Twas very like him,
though many years younger.
* * * * *
* * * * *
* * * * *
By the by, somebody said that ---- had turned Roman Catholic, and very
devout. Some of the Marys and Magdalens of the old Italian painters are
very converting pictures, with their tearful melancholy eyes, and
golden, glorious, billowy hair. Mrs. ---- amused me very much by her
account of the slaves on their estates, whom, she said, she found the
best and most faithful servants in the world. Being born upon the land,
there exists among them something of the old spirit of clanship, and
"our house," "our family," are the terms by which they designate their
owners. In the south, there are no servants but blacks; for the greater
proportion of domestics being slaves, all species of servitude whatever
is looked upon as a degradation; and the slaves themselves entertain the
very highest contempt for white servants, whom they designate as "poor
white trash."
_Monday, 7th._
Young ---- called, and stayed about an hour with us. At half-past five,
took coffee, and off to the theatre. The play was Romeo and Juliet; the
house was extremely full: they are a delightful audience. My Romeo had
gotten on a pair of trunk breeches, that looked as if he had borrowed
them from some worthy Dutchman of a hundred years ago. Had he worn them
in New York, I could have understood it as a compliment to the ancestry
of that good city; but here, to adopt such a costume in Romeo, was
really perfectly unaccountable. They were of a most unhappy choice of
colours, too,--dull, heavy-looking blue cloth, and offensive crimson
satin, all be-puckered, and be-plaited, and be-puffed, till the young
man looked like a magical figure growing out of a monstrous strange
coloured-melon, beneath which descended his unfortunate legs, thrust
into a pair of red slippers, for all the world like Grimaldi's legs _en
costume_ for clown. The play went off pretty smoothly, except that they
broke one man's collar-bone, and nearly dislocated a woman's shoulder by
flinging the scenery about. My bed was not made in time, and when the
scene drew, half a dozen carpenters in patched trowsers and tattered
shirt-sleeves were discovered smoothing down my pillows, and adjusting
my draperies. The last scene is too good not to be given verbatim:--
ROMEO. Rise, rise, my Juliet,
And from this cave of death, this house of horror,
Quick let me snatch thee to thy Romeo's arms.
Here he pounced upon me, plucked me up in his arms like an uncomfortable
bundle, and staggered down the stage with me.
Public-domain text, read in full here on John Shaqi.
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