Atlantic States -- Description and travel; Kemble, Fanny, 1809-1893; United States -- Social life and customs -- 1783-1865
[71] The established succession of figures which form the _one_ French
quadrille, in executing which the ball-rooms of Paris and London have
spent so many satisfactory hours ever since it was invented, by no means
satisfies the Americans. At the close of almost every quadrille, a
_fancy_ figure is danced, which, depending entirely upon the directions
of the leader of the band, is a very curious medley of all the rest. The
company not being gifted with second sight, and of course not knowing at
every step what next they may be called upon to do, go fearfully sliding
along, looking at each other, asking, "how does it go on?" some _en
avant deux-ing_, while others are starting off _en promenade_, the whole
being a complete confusion of purpose and execution. The common French
figure, the Trénis, is very seldom danced at all,--they do not appear to
know it.
[72] This terrible nuisance has often made me wish for that "still small
voice," which has become the universal tone of good society in England,
and which, however inconvenient sometimes from its utter inaudibility,
at least did not send one to bed with one's ears ringing and one's head
splitting. I was in a society of about twelve ladies, the other evening,
and the _uproar_ was so excessive that I felt my eyebrows contracting
from a sense of perfect bewilderment, occasioned by the noise all round
me, and more than once was obliged to request the person with whom I was
conversing to stop till the _noise_ had subsided a little, that I might
be able to distinguish what he was saying to me. Were the women here
large and masculine in their appearance, this defect would appear less
strange, though not less disagreeable; but they are singularly delicate
and feminine in their style of beauty; and the noise they make strikes
one with surprise as something monstrous and unnatural--like mice
roaring. They frequently talk four or five at a time, and directly
across each other; neither of which proceedings is exactly according to
my ideas of good breeding.
[73] Unromantic as these birds are in their external appearance, there
is something poetical in their love of sunny skies. Many attempts have
been made to rear them in England; but I am told that they will not sing
there, or indeed any where but where the sun shines as it does here.
Public-domain text, read in full here on John Shaqi.
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