Atlantic States -- Description and travel; Kemble, Fanny, 1809-1893; United States -- Social life and customs -- 1783-1865
While I was out, Captain ---- called for our letters. Saw Mr. ----, and
bade him good-by: they are going away to-day to Havre, to Europe; I wish
I was a nail in one of their trunks. After breakfast, went to rehearse
King John: what a lovely mess they will make of it, to be sure! When my
sorrows were ended, my father brought me home: found a most lovely
nosegay from Mr. ---- awaiting me. Bless it! how sweet it smelt, and how
pretty it looked. Spent an hour delightfully in putting it into water.
Got things ready for to-night, practised till dinner, and wrote journal.
My father received a letter to-day, informing him that a cabal was
forming by the friends of Miss Vincent and Miss Clifton (native talent!)
to hiss us off the New York stage, if possible; if not, to send people
in every night to create a disturbance during our best scenes: the
letter is anonymous, and therefore little deserving of attention. After
dinner, practised till time to go to the theatre. The house was very
full; but what a cast! what a play! what botchers! what butchers! In his
very first scene, the most christian king stuck fast; and there he
stood, shifting his truncheon from hand to hand, rolling his eyes,
gasping for breath, and struggling for words, like a man in the
night-mare. I thought of Hamlet--"Leave thy damnable faces"--and was
obliged to turn away. In the scene before Angiers, when the French and
English heralds summon the citizens to the walls, the Frenchman applied
his instrument to his mouth, uplifted his chest, distended his cheeks,
and appeared to blow furiously; not a sound! he dropped his arm, and
looked off the stage in discomfiture and indignation, when the perverse
trumpet set up a blast fit to waken the dead,--the audience roared: it
reminded me of the harp in the old ballad, that "began to play alone."
Chatillon, on his return from England, begged to assure us that with
King John was come the mother queen, an _Anty_ stirring him to blood and
war. When Cardinal Pandulph came on, the people set up a shout, as
usual: he was dreadfully terrified, poor thing; and all the time he
spoke kept giving little nervous twitches to his sacred petticoat, in a
fashion that was enough to make one die of laughter. He was as
obstinate, too, in his bewilderment as a stuttering man in his
incoherency; for once, when he stuck fast, having twitched his skirts,
and thumped his breast in vain for some time, I thought it best, having
to speak next, to go on; when, lo and behold! in the middle of my
speech, the "scarlet sin" recovers his memory, and shouts forth the end
of his own, to the utter confusion of my august self and the audience. I
thought they never would have got through my last scene: king gazed at
cardinal, and cardinal gazed at king; king nodded and winked at the
prompter, spread out his hands, and remained with his mouth open:
cardinal nodded and winked at the prompter, crossed his hands on his
Public-domain text, read in full here on John Shaqi.
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