Journal of a second expedition into the interior of Africa, from the Bight of Benin to Soccatoo : $b To which is added, the journal of Richard Lander from Kano to the sea-coast, partly by a more eastern route.Clapperton, Hugh
History
Journal of a second expedition into the interior of Africa, from the Bight of Benin to Soccatoo : $b To which is added, the journal of Richard Lander from Kano to the sea-coast, partly by a more eastern route.
Clapperton, Hugh
Sudan (Region) -- Description and travel
It is the custom, during the time that the caboceers from the
different towns remain on their visit to the king, to act plays
or pantomimes, or whatever they may be called. I shall attempt a
description of the one I saw to-day. The place chosen for this pastime
is the king’s park, fronting the principal door where his majesty
usually sits. A fetish house occupies the left side; to the south
are two very romantic and large blocks of granite, by the side of
which is an old withered tree. On the east are some beautiful shady
trees; and on the north his majesty’s house, from whence he views
the scene. In the centre are two beautiful clumps of trees; in one of
which is a tall fan-palm, overlooking the whole area, a space that may
include some seven or eight hundred yards square. Under these clumps
of trees were seated the actors, dressed in large sacks, covering
every part of the body; the head most fantastically decorated with
strips of rags, damask silk, and cotton, of as many glaring colours
as it was possible. The king’s servants attended to keep the peace,
and to prevent the crowd from breaking into the square in which the
actors were assembled. Musicians also attended with drums, horns,
and whistles, which were beaten and blown without intermission.
The first act consisted in dancing and tumbling in sacks, which they
performed to admiration, considering they could not see, and had not
the free use of their feet and hands. The second act consisted in
catching the _boa constrictor_: first, one of the sack-men came in
front and knelt down on his hands and feet; then came out a tall
majestic figure, having on a head-dress and masque which baffle
all description: it was of a glossy black colour, sometimes like
a lion couchant over the crest of a helmet; at another like a
black head with a large wig: at every turn he made it changed its
appearance. This figure held in its right hand a sword, and by its
superior dress and motions appeared to be the director of the scene,
for not a word was spoken by the actors. The manager, as I shall call
the tall figure, then came up to the man who was lying in the sack;
another sack-dancer was brought in his sack, who by a wave of the
sword was laid down at the other’s head or feet; he having unsown
the end of both sacks, the two crawled into one. There was now great
waving of the manager’s sword; indeed I thought that heads were
going to be taken off, as all the actors were assembled round the
party lying down; but in a few minutes they all cleared away except
the manager, who gave two or three flourishes with his sword, when
the representation of the boa constrictor began. The animal put its
head out of the bag in which it was contained, attempting to bite
the manager; but at a wave of the sword it threw its head in another
direction to avert the blow; it then began gradually to creep out of
the bag, and went through the motions of a snake in a very natural
Public-domain text, read in full here on John Shaqi.
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