Journal of a Voyage to Brazil: And Residence There During Part of the Years 1821, 1822, 1823Callcott, Maria, Lady
History
Journal of a Voyage to Brazil: And Residence There During Part of the Years 1821, 1822, 1823
Callcott, Maria, Lady
Brazil -- Description and travel
_Sunday, 3d._--I went out before breakfast, with a negro carpenter for
my guide. This man, with little instruction, has learned his art so as
to be not only a good carpenter and joiner, but also a very tolerable
cabinet-maker, and in other respects displays a quickness of
understanding which gives no countenance to the pretended inferiority of
negro intellect. I was much pleased with the observations he made on
many things which I remarked as new, and with the perfect understanding
he seemed to have of all country works. After breakfast, I attended the
weekly muster of all the negroes of the fazenda; clean shirts and
trowsers were given the men, and shifts and skirts to the women, of very
coarse white cotton. Each, as he or she came in, kissed a hand, and then
bowed to Mr. P. saying, either "Father, give me blessing," or "The names
of Jesus and Mary be praised!" and were answered accordingly, either
"Bless you," or "Be they praised." This is the custom in old
establishments: it is repeated morning and evening, and seems to
acknowledge a kind of relationship between master and slave. It must
diminish the evils of slavery to one, the tyranny of mastership in the
other, to acknowledge thus a common superior Master on whom they both
depend.
As each slave passed in review, some questions were asked concerning
himself, his family, if he had one, or his work; and each received a
portion of snuff or tobacco, according to his taste. Mr. P. is one of
the few persons whom I have met conversant among slaves, who appears to
have made them an object of rational and humane attention. He tells me
that the creole negroes and mulattoes are far superior in industry to
the Portuguese and Brazilians; who, from causes not difficult to be
imagined, are for the most part indolent and ignorant. The negroes and
mulattoes have strong motives to exertion of every kind, and succeed in
what they undertake accordingly. They are the best artificers and
artists. The orchestra of the opera-house is composed of at least
one-third of mulattoes. All decorative painting, carving, and inlaying
is done by them; in short, they excel in all ingenious mechanical arts.
Public-domain text, read in full here on John Shaqi.
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