Journal of a Voyage to Brazil: And Residence There During Part of the Years 1821, 1822, 1823Callcott, Maria, Lady
History
Journal of a Voyage to Brazil: And Residence There During Part of the Years 1821, 1822, 1823
Callcott, Maria, Lady
Brazil -- Description and travel
There was nothing in the principal piece played to-night, for it was a
clumsy translation of Lodoiska, without the songs. But the after-piece
excited much emotion: it was called "The Discovery of Brazil." Cabral
and his officers were represented as just landed: they had discovered
the natives of the country; and, according to the custom of the
Portuguese discoverers, they had set up their white flag, with the red
holy cross upon it, whence they had first named the land. At the foot of
this emblem they kneeled in worship, and endeavoured to induce the wild
Brazilians to join them in their sacred rites. These, on their part,
tried to persuade Cabral to reverence the heavenly bodies, and
dissension seemed about to trouble the union of the new friends, when by
a clumsy enough machine, a little genius came down from above, and
leaping from its car, displayed the new Imperial standard, inscribed
_Independencia o Morte_. This was totally unexpected in the house,
which, for an instant, seemed electrified into silence. I believe I
clapped my hands first, but the burst of feeling that came from every
part of the house was long ere it subsided. Now I know nothing so
overpowering, as that sort of unanimous expression of deep interest,
from any large body of men. It overset me; and when I ought to have been
waving my handkerchief decorously from the great chamberlain's box, I
was hiding my face with it, and weeping heartily. When the house was
quiet again, I looked at Don Pedro: he had become very pale, and had
drawn a chair close to his own; on the back of which he leaned, and was
very grave to the end of the piece, having his hand before his eyes for
some time; and, indeed, his quick feelings could not have escaped what
affected even strangers.
At the close of the piece there were loud cries of "Viva la Patria!"
"Viva o Emperador!" "Viva a Emperatriz!" "Vivaŏ os Deputados!" all
originating in the body of the house; when Martim Francisco de Andrada
stepped to the front of one of the boxes of the Deputies, and cried
"Viva o povo leal e fiel do Rio de Janeiro!" a cry that was extremely
well seconded, especially by the Emperor, and kindly taken by the
people; and so this important day ended.
Public-domain text, read in full here on John Shaqi.
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