Journal of the Waterloo campaign, vol. 2 (of 2) : $b kept throughout the campaign of 1815Mercer, Cavalié
History
Journal of the Waterloo campaign, vol. 2 (of 2) : $b kept throughout the campaign of 1815
Mercer, Cavalié
Mercer, Cavalié, 1783-1868 -- Diaries; Waterloo, Battle of, Waterloo, Belgium, 1815 -- Personal narratives, British
Yesterday I made a most interesting excursion over all the scene of
last year’s battles,--the plain of St Denis, Vertus, the heights of
Belleville, Montmartre, &c. Independent of historical associations,
these heights are extremely interesting, from the fine commanding
views they afford; but particularly in a geological point of view.
Rising abruptly to the height of some hundred feet from the (almost
level) Plain de St Denis, their appearance is very remarkable as we
approach by the great northern road to La Chapelle, almost everywhere
terminating in lofty white precipices of gypsum (or sulphate of
lime)--hence called plaster of Paris. Montmartre appears once to have
been a continuation of the heights of Belleville, from the similarity
of the gypsum cliffs opposite to each other. It is now isolated,
and, with its precipitous terminations and crest covered with
windmills, forms a very remarkable object from the plain below. These
windmills are principally on the end over Clichy; towards the other
is the celebrated telegraph--known by fame to all Europe--whence
were transmitted at various periods orders for the invasion of
Italy, Austria, Russia, Prussia, and Belgium, and by which Paris
was so often roused to the boiling-point of vanity when it brought
intelligence of Jena, Wagram, &c. But _revenons à nos moutons_. The
heights are separated by a narrow gorge, in which, under the cliffs
of Montmartre, is a small hillock[22] (Mamelon), crowned by three
windmills, which appears to have been formed by detritus from above.
The dome of St Genevieve seen through this gorge gave us the first
notice of the French capital the evening we arrived at Garges.
Public-domain text, read in full here on John Shaqi.
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