_Cologne, Friday, July 21st._--Before I left the interior of the Cathedral, I ought to have mentioned that the side-chapels contain some superb monuments. There is also a curious picture (marvellously rich in enamel and colouring) of the Three Kings of Cologne, and of a small number of the eleven thousand virgins, who were said, after shipwreck, to have landed at this city in the train of St. Ursula. The Huns, who had possession of the city, became enamoured of their beauty; and the fair bevy, to save themselves from persecution, took the veil; in commemoration of which event the convent of St. Ursula was founded, and within the walls of that church an immense number of their skulls (easily turned into eleven thousand), are ranged side by side dressed in green satin caps. We left these famous virgins (though our own countrywomen), unvisited, and many other strange sights; and what wonder? we had but one day; and _I_ saw nothing within gate or door except the Cathedral--not even Rubens's famous picture of the Crucifixion of St. Peter, a grateful offering presented by him as an altar-piece for the church in which he was baptized, and had served as a chorister. Among the outrages committed at Cologne during the Revolution, be it noted that the Cathedral, in 1800, was used as a granary, and that Buonaparte seized on the picture bestowed on his parish church by Rubens, and sent it to Paris. The Three Kings shared the same fate. The houses of Cologne are very old, overhanging, and uncouth; the streets narrow and gloomy in the cheerfulest of their corners or openings; yet oftentimes pleasing. Windows and balconies make a pretty show of flowers; and birds hang on the outside of houses in cages. These sound like cheerful images of active leisure; but with such feeling it is impossible to walk through these streets. Yet it is pleasing to note how quietly a dull life may be varied, and how innocently; though, in looking at the plants which yearly put out their summer blossoms to adorn these decaying walls and windows, I had something of the melancholy which I have felt on seeing a human being gaily dressed--a female tricked out with ornaments, while disease and death were on her countenance. _Cologne, Saturday, July 22nd._--Upon a bright sunny morning, driven by a civil old postilion, we turned our backs upon the cathedral tower of Cologne, an everlasting monument of riches and grandeur, and I fear of devotion passed away; of sublime designs unaccomplished--remaining, though not wholly developed, sufficient to incite and guide the dullest imagination,-- Call up him who left half-told The story of Cambuscan bold![40] [Footnote 40: See _Il Penseroso_, ll. 109, 110.--ED.] Feelingly has Milton selected this story, not from a preference to the subject of it (as has been suggested), but from its paramount accordance with the musings of a melancholy man--in being left _half_-told--