Journals of Dorothy Wordsworth, Vol. 2 (of 2)Wordsworth, Dorothy
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Journals of Dorothy Wordsworth, Vol. 2 (of 2)
Wordsworth, Dorothy
Authors, English -- 19th century -- Diaries; Wordsworth, Dorothy, 1771-1855 -- Diaries; Wordsworth, William, 1770-1850 -- Family
_Monday, July 31st._--_Hornberg._--After this, over the wide country to
_Villengen_, a walled town upon the treeless waste, the way unvaried
except by distant views of remnants of the forest, and towns or
villages, shelterless, and at long distances from each other. They are
very striking objects: they stand upon the waste in disconnection with
everything else, and one is at a loss to conceive how any particular
town came to be placed in _this_ spot or _that_, nature having framed no
allurement of valley shelter among the undulations of the wide expanse.
Each town stands upon its site, as if it might have been wheeled
thither. There is no sympathy, no bond of connection with surrounding
fields, not a fence to be seen, no woods for _shelter_, only the dreary
black patches and lines of forest, used probably for fuel, and often far
fetched. In short, it is an unnatural-looking region. In comparison with
the social intermixture of towns, villages, cottages, fruit-trees, corn
and meadow land, which we had so often travelled through, the feeling
was something like what one has in looking at a dead yet gaudy picture
painted by an untutored artist, who first _makes_ his country, then
claps upon it, according to his fancy, such buildings as he thinks will
adorn it.
_Thursday, August 3rd._--_Zurich._--At a little distance from Zurich we
remarked a very fine oak tree. Under its shade stood a little building
like an oratory, but as we were not among the Roman Catholics it puzzled
us. In front of the tree was an elevated platform, resembling the
_Mount_ at Rydal, to be ascended by steps. The postilion told us the
building was a Chapel whither condemned criminals retired to pray, and
there had their hair cut off; and that the platform was the place of
execution.
Public-domain text, read in full here on John Shaqi.
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