we saw people busied in packing them up, very much like a company of players with their paraphernalia. Went also to the Convent of Maria della Grazia to view that most famous picture of the Last Supper by Leonardo da Vinci, painted on the wall at one end of the Refectory, a very large hall, hung along the sides with smaller pictures and, at the other end, that painting of the crucifixion of which we had seen a copy at Lugano. This Refectory was used in the days of Buonaparte as a military storehouse, and the mark of a musket-ball, fired in wantonness by a French soldier, is to be seen in one part of the painting of Leonardo da Vinci. Fortunately the ball hit where the injury was as small as it could have been; and it is only marvellous that this fine work was not wholly defaced during those times of military misrule and utter disregard of all sacred things.[59] Little conversant in pictures, I cannot take upon me to describe this, which impressed my feelings and imagination more than any picture I ever saw, though some of the figures are so injured by damp that they are only just traceable. The most important are, however, happily the least injured; and that of Our Saviour has only suffered from a general fading in the colours, yet, alas! the fading and vanishing must go on year after year till, at length, the whole group must pass away. Through the cloisters of the monastery, which are shattered and defaced, pictures are found in all parts, and there are some curious monuments. [Footnote 59: It is perfectly notorious that this picture suffered more from the negligence of the monks than from the scorn of the French. A hole was broken thro' the lower part of the centre of the picture to admit hot dishes from the Kitchen into the Refectory. --H. C. R.]