The natives have not any war-dance, properly so called, though sometimes they are decorated in all the pomp and circumstance of war. Being excellent mimies, they imitate in many of their dances the habits and movements of animals. They also represent the mode of hunting, fighting, love-making, etc. New figures and new songs are constantly introduced, and are as much applauded and encored, as more refined productions of a similar kind in civilized communities; being sometimes passed from tribe to tribe for a considerable distance. I have often seen dances performed to songs with which I was acquainted, and which I knew to belong to distant parts of the country where a different dialect was spoken, and which consequently could not be understood where I heard them. Many of the natives cannot even give an interpretation of the songs of their own districts [Note 65 at end of para.], and most of the explanations they do give are, I am inclined to think, generally very imperfect, as the measures or quantities of the syllables appear to be more attended to than the sense. [Note 65: "Not one in ten of the young men who are dancing and singing it, know the meaning of the song they are chaunting over."--Catlin, vol. 1. p. 126. Also the case in New Zealand, with respect to some of the songs.--Vide Dieffenbach, vol. 2. p. 57.] Of these amusements the natives are passionately fond; and when once they have so far overcome their naturally indolent disposition as to be induced to engage in them there is no knowing when they will give over. Dances are sometimes held during the day, but these are of rare occurrence, and seem to be in some way connected with their ceremonial observances or superstitions, since rude figures, and lofty branches of trees, decorated with tufts of feathers, emu plumes, swan's down and red ochre, occupy a prominent part in the exhibition, although never met with in the dances by night. The dances vary a great deal among the different tribes, both as to figures and music; the painting or decoration of their persons, their use of weapons, and the participation of the females in them. Throughout the entire continent, as far as it is known, there are many points of resemblance in the dances of all the Aborigines, such as the practice of painting the body with white and red ochre, carrying boughs in their hands, or tying them round their limbs; adorning the head with feathers or down, bearing bunches of feathers, tied in tufts in their hands, the women singing and beating time upon folded skins, the men beating time upon sticks or some of their smaller weapons, an old man acting as leader of the band, and giving the time and tune to the others; the dances representing the actions of animals, the circumstances of the chase, of war, or of love; and the singular and extraordinary quivering motion of the thighs when the legs are distended, a peculiarity probably confined to the natives of the continent of Australia.