Journeys Through Bookland, Vol. 10: The GuideSylvester, Charles Herbert
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Journeys Through Bookland, Vol. 10: The Guide
Sylvester, Charles Herbert
Children's literature; Literature -- Collections
VIII. _The Writer's Art._ It will add something to a child's interest in
the story if his attention is called to the skilful way in which
Kingsley handles his plot. It is high _art_ to throw into the early part
of the story the conversation between the keeper and Grimes. It shows
that Grimes is a poacher and known to be one. The keeper is inclined to
wink at the offense, but still he feels that a warning is necessary.
Nothing more is said about poaching till much later, where Tom, the
Water Baby, sees Grimes meet a poacher's death.
Again, it is early evident that Grimes has done other wicked things and
that the poor Irishwoman knows of one at least. She even mentions
Vendale, but the reader attaches no importance to it. Tom flees to
Vendale and is pitied and kindly treated by the old Schoolmistress, but
it is not until Tom finds Grimes suffering his punishment in the chimney
flues that the reader learns what the poor Irishwoman knew about Grimes,
and that the schoolmistress was Grimes's poor ill-treated mother.
Once more, Kingsley's art is seen in the selection of incidents and the
arrangement of influences which bring to Tom the conviction of his
dirtiness and create in him the overpowering desire to be clean.
But this interpretation of _Tom, the Water Baby_ has already reached the
limits of space and we must forego the pleasure of pointing out other
examples of artistic treatment. Probably it is better to leave the story
to plead its own cause.
_The Passing of Arthur_
(Volume V, page 237)
While the outline differs in form from those we have been using, it is a
helpful variation, and shows that while a narrative poem must be studied
first in the same manner as a story, there are still other points that
need careful examination.
Tennyson's _The Passing of Arthur_ is one of the noble things in
literature, solemn, impressive, inspiring. In order to appreciate a
careful study of it, one should have read at least those selections
which appear in the fifth volume, beginning with page 113 and extending
to page 236. With this preliminary setting there should be no difficulty
in feeling a sufficient interest in King Arthur to be appreciative of
Tennyson's work from the very beginning.
a. _Characters._ Three characters appear in this poem, viz: King Arthur;
Sir Bedivere, the knight first made and last surviving of all those who
sat about King Arthur's table; Modred, Arthur's traitorous nephew.
Besides these three human characters, the ghost of Gawain, the three
queens who came in the barge, and even Excalibur itself are of so much
interest that they may be considered as almost human.
King Arthur is shown in his old age, when wife and friend are traitor to
his peace, and all his realm has sunk back into disorder and is rapidly
approaching extinction.
Public-domain text, read in full here on John Shaqi.
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