Journeys Through Bookland, Vol. 6Sylvester, Charles Herbert
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Journeys Through Bookland, Vol. 6
Sylvester, Charles Herbert
Children's literature; Literature -- Collections
Scrooge took his melancholy dinner in his usual melancholy tavern; and
having read all the newspapers, and beguiled the rest of the evening
with his banker's-book, went home to bed. He lived in chambers which had
once belonged to his deceased partner. They were a gloomy suite of
rooms, in a lowering pile of building up a yard, where it had so little
business to be, that one could scarcely help fancying it must have run
there when it was a young house, playing at hide-and-seek with other
houses, and have forgotten the way out again. It was old enough now, and
dreary enough, for nobody lived in it but Scrooge, the other rooms
being all let out as offices. The yard was so dark that even Scrooge,
who knew its every stone, was fain to grope with his hands. The fog and
frost so hung about the black old gateway of the house, that it seemed
as if the Genius of the Weather sat in mournful meditation on the
threshold. Now, it is a fact, that there was nothing at all particular
about the knocker on the door, except that it was very large. It is also
a fact, that Scrooge had seen it, night and morning, during his whole
residence in that place; also that Scrooge had as little of what is
called fancy about him as any man in the City of London, even
including--which is a bold word--the corporation, aldermen, and livery.
Let it also be borne in mind that Scrooge had not bestowed one thought
on Marley, since his last mention of his seven-years' dead partner that
afternoon. And then let any man explain to me, if he can, how it
happened that Scrooge, having his key in the lock of the door, saw in
the knocker, without its undergoing any intermediate process of change,
not a knocker, but Marley's face.
Marley's face. It was not in impenetrable shadow as the other objects in
the yard were, but had a dismal light about it, like a bad lobster in a
dark cellar. It was not angry or ferocious, but looked at Scrooge as
Marley used to look: with ghostly spectacles turned up on its ghostly
forehead. The hair was curiously stirred, as if by breath or hot air;
and, though the eyes were wide open, they were perfectly motionless.
That, and its livid colour, made it horrible; but its horror seemed to
be in spite of the face and beyond its control, rather than a part of
its own expression.
As Scrooge looked fixedly at this phenomenon, it was a knocker again.
To say that he was not startled, or that his blood was not conscious of
a terrible sensation to which it had been a stranger from infancy, would
be untrue. But he put his hand upon the key he had relinquished, turned
it sturdily, walked in, and lighted his candle.
Public-domain text, read in full here on John Shaqi.
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