Joyce Kilmer : $b poems, essays and letters in two volumes. Volume 2, prose worksKilmer, Joyce
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Joyce Kilmer : $b poems, essays and letters in two volumes. Volume 2, prose works
Kilmer, Joyce
American essays; American literature; Kilmer, Joyce, 1886-1918 -- Correspondence
There did indeed come from the cobbles of Patchin Place the whir
and snort of an automobile. Soon the great gong on the wall clanged
viciously, causing Arthura Lewis to shudder and clasp her long, white
hands to her eyes. Edwin Marmaduke sped down the four flights of stairs
that intervened between his studio and the street door.
His deserted guests looked at one another expectantly.
“Dear Grace!” said Mrs. Anna Watkins Wilbur. “I hope she came alone. I
can’t stand that friend of hers--what is his name?--that Watson person.”
“He is a terrible bromid,” said Arthura Lewis, lighting a cigarette.
“He’s so very--so very, shall I say, salmony!”
This was said with humorous intent and received with kindly laughter.
“But what has Mr. Watson to do with salmon, anyway?” asked John Potts.
“Does he catch them, or what is it?”
“Nothing so exciting as that,” said the Rev. Morris Gildell, with
a great chuckle. “He merely celebrates them. He is the advertising
manager of the Mallon Salmon Company, and his chief claim to
immortality is that he invented the ‘Try a Tin To-day’ slogan. You know
those great pink pictures of ridiculous-looking fish that we see in
public vehicles and on the highways and byways, each one holding out a
can bearing the legend, ‘Try a Tin To-day’? Watson is responsible for
those mutilations of the landscape.”
“Does Watson paint them himself?” asked Mrs. Anna Watkins Wilbur. “He
looks capable of it.”
The Rev. Morris Gildell issued another of those shouts of laughter
which made the women’s clubs believe him masculine and hearty.
“Excellent!” he cried, putting an approving hand on Mrs. Anna Watkins
Wilbur’s fat, bare shoulder. “Oh, excellent! No, Watson doesn’t paint
them, but he does worse--he inspires them. He persuades some poor devil
of an artist to make these hideous caricatures of the truth. He is the
Mæcenas of the ‘Try a Tin To-day’ school of painting.”
After waiting for the murmur of amusement to die down, the Rev. Morris
Gildell continued:
“Grace brought Watson to the Feminist Conference at our church last
week, and several people asked me what a rare, free spirit like her
could see in such a clod. I suppose she feels that she must go around
with him occasionally because he is so useful to her father. But I hope
she doesn’t think of marrying him!”
“Marrying him!” exclaimed Mrs. Anna Watkins Wilbur, Arthura Lewis, and
John Potts in unison. “I hope not!”
“Why,” said Arthura Lewis, “it would be a tragedy for an emancipated
woman like Grace to marry at all! Not to speak of marrying such a
soulless, brainless animal as that David Watson! I’d as soon see her--”
But the conversation was interrupted by the opening of the studio door
and the entrance of Grace and their young host.
Public-domain text, read in full here on John Shaqi.
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