Racially mixed people -- Fiction; Western stories; Wyoming -- Fiction
“Is it you, Peter?” She thrust a strand of hair back from her temple.
Her eyes rested on him for a moment, then wandered, till in their
absent look was the rapt expression of the sleep-walker. The
dark-rimmed eyes had in their depths the quiet of a conflagration, and
Peter, seeing these things, and knowing the gamut of all her moods, saw
that he had been mistaken. She had not come, to dance in triumph, in
the face of her brother’s enemies. There was no triumph in her face,
but white, consuming despair.
“Did you ask me to dance?” Again she put back the strand of hair.
“Forgive me for being so stupid, but I’ve kept post-office to-day, and
had a long ride, and I danced with Henderson.”
He drew her arm within his and led the way out through the crowd of
dancers to the star-strewn night. She did not speak again, nor did she
seem to notice that they had left the room with the dancers. She turned
her face towards the lonely valley, where the drama of her brother’s
passing had been consummated, and something there was in her look as it
turned towards the hills that told Peter.
“Tell me, Judith, ‘what has happened?”
For answer she pointed towards the valley. “They did it last night at
the dead cotton-woods. Henderson led them. I could not stay with Alida.
I had to come here to dance that no one might suspect.”
Her voice was steady, but low and thrilling. In its deep resonance was
the echo of all human sorrow. There was no hint of accusation, yet
Peter felt accused. He felt, now when it was too late, that his
position had been one of almost pusillanimous negligence. From the
beginning he had taken a firm stand against violent measures. He had
talked, argued, reasoned, inveighed against violence; no later than a
week ago he had ridden across the desert to tell Henderson that the
Wetmore outfit would take no part in violence of any sort, and that the
cattle outfit that did resort to extreme measures would miss the
support of the “W-Square” in any future range business. But it had not
been enough. He should have made plain his position in regard to
Judith. With her as his future wife the tragedy of the valley would not
have been possible.
From the ranch-house came the swell of the fiddles, the rhythmic
shuffle of feet, the song of the dancers, dulled by distance. Beside
him was Judith, a white spirit, the woman in her dead of grief. And
yet, through all the grim horror of the tragedy she remembered the part
that had been allotted to her, threw all the weight of her personality
on the side of the game she was playing.
Public-domain text, read in full here on John Shaqi.
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