Racially mixed people -- Fiction; Western stories; Wyoming -- Fiction
At the side of the house languished a wretched, abortive garden,
running over with weeds and sage-brush, and here a man pottered with
the purposeless energy of old age, working with an ear cocked in the
direction of the house, as he turned a spade of earth again and again
in hopeless, pusillanimous industry. But when his strained attention
was presently rewarded by a shouted summons to supper, and he stood
erect but for the slouching droop of shoulders that was more a matter
of temperament than of age, one saw a tall man of massive build, whose
keen glance and slightly grizzled hair belied his groping, ineffectual
labor. The head, and face were finely modelled. Unless nature had
fashioned them in some vagrant, prankish mood, such elegance of line
betokened prior generations in which gentlemen and scholars had played
some part—the vagabond scion of a good family, perhaps. A multitude of
such had grafted on the pioneer stock of the West, under names that
carried no significance in the places whence they came.
Weakness and self-indulgence there were, and those writ large and deep,
on the face of Warren Rodney; and, in default of an expression of
deeper significance, the wavering lines of instability produced a
curiously ambiguous effect of a fine head modelled by a ’prentice hand;
a lady’s copy of the Belvidere, attempted in the ardors of the first
lessons, might approximate it.
A smoking kerosene lamp revealed a supper-table of almost institutional
proportions. There were four sons and two daughters of the Tumlin
union, strapping lads and lasses all of them, with more than a common
dower of lusty health and a beauty that was something deeper than the
perishable iridescence of youth. There was Frémont, named for the
explorer-soldier; there was Orlando, named from his mother’s vague,
idle musings over paper-backed literature at certain “unchancy”
seasons; there was Richards, named from pure policy, for a local great
man of whom Warren Rodney had anticipated a helping hand at the time;
there was Eudora, whose nominal origin was uncertain, unless it bore
affiliation to that of Orlando; there was Sadie, thus termed to avoid
the painful distinctions of “old Sally” and “young Sally”; and, lastly,
like a postscript, came Dan—with him, fancy, in the matter of names,
seemed to have failed. Dan was now six, a plump little caricature of a
man in blue overalls, which, as they had descended to him from Richards
in the nature of an heirloom, reached high under his armpits and
shortened the function of his suspenders to the vanishing point.
Public-domain text, read in full here on John Shaqi.
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