Racially mixed people -- Fiction; Western stories; Wyoming -- Fiction
Judith busied herself about the kitchen. Her mood of racking
apprehension had disappeared. Indian stoicism had again the guiding
hand. She waved Peter from the fire that she was kindling, as if he
were a blundering incompetent. But she let him slice the bacon and
grind the coffee as one lets a child help. Alida came in, white-faced
and anxious over the long absence of her husband, but conscientiously
hospitable nevertheless. Peter noticed that Judith made a gallant
pretence of eating, crumbling her bread and talking the meanwhile. The
pale wife, who had little to say at the best of times, was put to the
test to say anything at all. But, withal, their intent was so genuinely
hospitable that Peter himself could not speak with the pity of it.
Accustomed as he was to the roughness of these frontier cabins, never
had he seen a human habitation so desolate as this. The mud plaster had
fallen away from between the logs, showing cross sections of the
melancholy prospect. An atmosphere of tragedy brooded over the place.
Whether from its long period of emptiness, or from the vaguely hinted
murder of the woman who had died there, or whether it took its
character from the prevailing desolation, the cabin in the valley was
an unlovely thing. Nor did the cleanliness, the conscientious making
the best of things, soften the woful aspect of the place. Rather was
the appeal the more poignant to the seeing eye, as the brave makeshift
of the self-respecting poor strikes deeper than the beggar’s whine. The
house was bare but for the few things that Alida could take in the
wagon in which they made their flight. And all through the pinch of
poverty and grinning emptiness there was visible the woman-touch, the
brave making the best of nothing, the pitiful preparation for the
coming of the man. Wild roses from the creek bloomed against the
gnarled and weather-warped logs of the walls. Sprays of clematis
trailed their white bridal beauty from cans rescued from the ashes of a
camp-fire. But Alida was a strategist when it came to adorning her
home, and the rusty receptacle was hid beneath trailing green leaves.
There was at the window a muslin curtain that in its starched and
ruffled estate was strongly suggestive of a child’s frock hastily
converted into a window drapery. The curtain was drawn aside that the
lamp might shed its beam farther on the way of the traveller who came
not. There was but one other light in the place, a bit of candle. Alida
apologized for the poor light by which they must eat, but she did not
offer to take the lamp from the window.
Public-domain text, read in full here on John Shaqi.
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