Julia Ward Howe, 1819-1910Richards, Laura Elizabeth Howe
History
Julia Ward Howe, 1819-1910
Richards, Laura Elizabeth Howe
Authors, American -- 19th century -- Biography; Feminists -- United States -- Biography; Howe, Julia Ward, 1819-1910
In the autumn of 1861 she went to Washington in company with Governor
and Mrs. Andrew, Mr. Clarke and the Doctor, who was one of the pioneers
of the Sanitary Commission, carrying his restless energy and indomitable
will from camp to hospital, from battle-field to bureau. She longed to
help in some way, but felt that there was nothing she could do--except
make lint, which we were all doing.
"I could not leave my nursery to follow the march of our armies, neither
had I the practical deftness which the preparing and packing of sanitary
stores demanded. Something seemed to say to me, 'You would be glad to
serve, but you cannot help anyone: you have nothing to give, and there
is nothing for you to do.' Yet, because of my sincere desire, a word
was given me to say, which did strengthen the hearts of those who fought
in the field and of those who languished in the prison."
Returning from a review of troops near Washington, her carriage was
surrounded and delayed by the marching regiments: she and her companions
sang, to beguile the tedium of the way, the war songs which every one
was singing in those days; among them--
"John Brown's body lies a-mouldering in the grave.
His soul is marching on!"
The soldiers liked this, cried, "Good for you!" and took up the chorus
with its rhythmic swing.
"Mrs. Howe," said Mr. Clarke, "why do you not write some good words for
that stirring tune?"
"I have often wished to do so!" she replied.
Waking in the gray of the next morning, as she lay waiting for the dawn,
the word came to her.
"Mine eyes have seen the glory of the coming of the Lord--"
She lay perfectly still. Line by line, stanza by stanza, the words came
sweeping on with the rhythm of marching feet, pauseless, resistless. She
saw the long lines swinging into place before her eyes, heard the voice
of the nation speaking through her lips. She waited till the voice was
silent, till the last line was ended; then sprang from bed, and groping
for pen and paper, scrawled in the gray twilight the "Battle Hymn of the
Republic." She was used to writing thus; verses often came to her at
night, and must be scribbled in the dark for fear of waking the baby;
she crept back to bed, and as she fell asleep she said to herself, "I
like this better than most things I have written." In the morning,
while recalling the incident, she found she had forgotten the words.
The poem was published in the "Atlantic Monthly" for February, 1862. "It
was somewhat praised," she says, "on its appearance, but the
vicissitudes of the war so engrossed public attention that small heed
was taken of literary matters.... I knew and was content to know, that
the poem soon found its way to the camps, as I heard from time to time
of its being sung in chorus by the soldiers."
Public-domain text, read in full here on John Shaqi.
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