Julia Ward Howe, 1819-1910Richards, Laura Elizabeth Howe
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Julia Ward Howe, 1819-1910
Richards, Laura Elizabeth Howe
Authors, American -- 19th century -- Biography; Feminists -- United States -- Biography; Howe, Julia Ward, 1819-1910
"Still mourning the Festival a little. If I had kept up my music as I
intended, in my early youth, I should never have done what I have
done--should never have studied philosophy, nor written what I have
written. My life would have been more natural and passionate, but I
think less valuable. Yet I cannot but regret the privation of this
element in which I have lived for years. But I do believe that music is
the most expensive of the fine arts. It uses up the whole man more than
the other arts do, and builds him up less. It is more passional, less
intellectual, than the other arts. Its mastery is simple and absolute,
while that of the other arts is so complex as to involve a larger sphere
of thought and reflection. I have observed the faces of this orchestra
just disbanded. Their average is considerably above the ordinary one.
But they have probably more talent than thought."
On May 31 we find a significant entry. The evening before she had
attended the Unitarian Convention, and "heard much tolerable speaking,
but nothing of any special value or importance." She now writes:--
"I really suffered last evening from the crowd of things which I wished
to say, and which, at one word of command, would have flashed into life
and, I think, into eloquence. It is by a fine use of natural logic that
the Quaker denomination allows women to speak, under the pressure of
religious conviction. 'In Christ Jesus there is neither male nor
female,' is a good sentence. Paul did not carry this out in his church
discipline, yet, one sees, he felt it in his religious contemplation. I
feel that a woman's whole moral responsibility is lowered by the fact
that she must never obey a transcendent command of conscience. Man can
give her nothing to take the place of this. It is the _divine_ right of
the human soul."
The fatigue and excitement of the Festival had to be paid for: the
inevitable reaction set in.
"_June 3._ Decidedly I have spleen in these days. Throughout my whole
body, I feel a mingled restlessness and feebleness, as if the nerves
were irritated, and the muscles powerless. I feel puzzled, too, about
the worth of what I have been doing for nearly three years past. There
is no one to help me in these matters. I determine still to work on and
hope on. Much of the work of every life is done in the dark."
Again: "Spleen to-day, and utter discouragement. The wind is east, and
this gives me the strange feeling, described before, of restlessness and
powerlessness. My literary affairs are in a very confused state. I have
no market. This troubles me.... God keep me from falling away from my
purpose, to do only what seems to me necessary and called for in my
vocation, and not to produce for money, praise, or amusement."
"Was melancholy and Godless all day, having taken my volume of Kant back
to the Athenæum for the yearly rearrangement. Could not interest myself
in anything.... Visited old Mrs. Sumner,[53] whose chariot and horses
are nearly ready."
Public-domain text, read in full here on John Shaqi.
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