Julia Ward Howe, 1819-1910Richards, Laura Elizabeth Howe
History
Julia Ward Howe, 1819-1910
Richards, Laura Elizabeth Howe
Authors, American -- 19th century -- Biography; Feminists -- United States -- Biography; Howe, Julia Ward, 1819-1910
It was already late when she received the appointment, but she lost no
time. Establishing her headquarters at No. 5 Park Street (for many years
the home of the "Woman's Journal" and the New England Woman's Club), she
sent out circulars to every State in the Union, asking for exhibits, and
appealed to the editors of newspapers all over the country to send women
correspondents for a month or more to the Exposition. She called
meetings in Boston, New York, Providence, Philadelphia, and Hartford, at
all of which she spoke, imploring the women to bestir themselves, and,
late as it was, to make an effort to get together a proper showing of
women's work for the great Fair.
Beside all this, she kept up through the autumn an active correspondence
with the Exposition authorities at New Orleans.
The Exposition was scheduled to open on the 1st of December: it did
actually open on the 16th. She writes:--
"A steamer had been chartered to convey thither the officers of the
Exposition and their invited guests. Seated on the deck, the chief of
the Woman's Department and her fellow-workers watched the arrival of the
high dignitaries of the State and city, escorted by members of the
military, and by two bands of music; one, the famous Mexican Band. All
the craft on the river were adorned with flags and streamers. The
Crescent, which gives the city its familiar designation, was pointed
out, and the 'Father of Waters' was looked upon with admiring eyes. The
steamer brought us to the Exposition grounds, and here a procession was
formed in which the ladies of the Woman's Department were assigned a
place which they had some difficulty in keeping. The march led to the
Main Building. The opening prayer was made by the Reverend De Witt
Talmage. At a given moment a telegram was received from the President of
the United States, Chester A. Arthur, declaring the Exposition to be
formally open. Immediately after, the son of the Director-General, a
fine lad of twelve years, touched the electric button by which the
machinery of the Exposition was set in motion.
"Returning by land, we found the streets gay with decorations, in which
the colors of the orthodox flag were conspicuous."
Maud was with her, and shared her labors, as did her devoted friend
Isabel Greeley. At this time the floor of the gallery destined for the
women's exhibit was not laid. By December 29 the officers of the
department were able to hold a meeting in "an enclosure without doors or
suitable furniture." When all was supposed to be ready for the exhibits,
it was found that the roof leaked badly, the timber having so shrunk
under the action of the sun as to tear away the waterproof felting.
Moreover, there was not enough money to carry on the business of the
Department. Funds had been promised by the Board of Management, but
these funds were not forthcoming, the Board itself being in
difficulties. Our mother had foreseen this contingency.
Public-domain text, read in full here on John Shaqi.
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