Julia Ward Howe, 1819-1910Richards, Laura Elizabeth Howe
History
Julia Ward Howe, 1819-1910
Richards, Laura Elizabeth Howe
Authors, American -- 19th century -- Biography; Feminists -- United States -- Biography; Howe, Julia Ward, 1819-1910
Best of all, however, we loved her own songs: cradle-songs and nursery
nonsense made for our very selves--
"(Sleep, my little child.
So gentle, sweet and mild!
The little lamb has gone to rest,
The little bird is in its nest,--"
"Put in the donkey!" cries Laura. The golden voice goes on without a
pause--
"The little donkey in the stable
Sleeps as sound as he is able;
All things now their rest pursue,
You are sleepy too!)"
Again, she would sing passionate songs of love or battle, or hymns of
lofty faith and aspiration. One and all, we listened eagerly; one and
all, we too began to see visions and dream dreams.
Now and then, the Muse and Humanity had to stand aside and wait while
the children had a party; such a party as no other children ever had.
What wonder, when both parents turned the full current of their power
into this channel?
Our mother writes of one such festival:--
"My guests arrived in omnibus loads at four o'clock. My notes to parents
concluded with the following P.S.: 'Return-omnibus provided, with
insurance against plum-cake and other accidents.' A donkey carriage
afforded great amusement out of doors, together with swing,
bowling-alley, and the Great Junk. While all this was going on, the
H.'s, J. S., and I prepared a theatrical exhibition, of which I had made
a hasty outline. It was the story of 'Blue Beard.' We had curtains which
drew back and forth, and regular footlights. You can't think how good it
was! There were four scenes. My antique cabinet was the 'Blue Beard'
cabinet; we yelled in delightful chorus when the door was opened, and
the children stretched their necks to the last degree to see the
horrible sight. The curtain closed upon a fainting-fit done by four
women. In the third scene we were scrubbing the fatal key, when I cried
out, 'Try the "Mustang Liniment"! It's the liniment for us, for you know
we _must hang_ if we don't succeed!' This, which was made on the spur of
the moment, overcame the whole audience with laughter, and I myself
shook so that I had to go down into the tub in which we were scrubbing
the key. Well, to make a long story short, our play was very successful,
and immediately afterward came supper. There were four long tables for
the children; twenty sat at each. Ice-cream, cake, blanc-mange, and
delicious sugar-plums, oranges, etc., were served up 'in style.' We had
our supper a little later. Three omnibus loads went from my door; the
last--the grown people--at nine o'clock."
And again:--
"I have written a play for our doll-theatre, and performed it yesterday
afternoon with great success. It occupied nearly an hour. I had
alternately to grunt and squeak the parts, while Chev played the
puppets. The effect was really extremely good. The spectators were in a
dark room, and the little theatre, lighted by a lamp from the top,
looked very pretty."
Public-domain text, read in full here on John Shaqi.
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