For a moment or two my senses certainly reeled. It seemed that swift
shutters rose and fell before my eyes. One screen rolled up, another
dropped, vistas opened, vanishing before their depths showed anything.
The châlet, with our immediate surroundings, faded; I was aware of
ourselves only, chiefly, however, of her. This first sight of her had
the effect that years before Julius had produced: the peculiar sense of
“other places.” And this in spite of myself, without any decided belief
of my own as yet to help it....
The confusion of my senses passed then, and consciousness focused
clearly once more on my surroundings. The disturbed emotions,
however, refused wholly to quiet down. Her face, I noted, beneath the
disfiguring marks, was rosy, and the grey-green eyes were very bright.
They were luminous, changing eyes, their hue altering of its own accord
apart from mere play or angle of the light. Sometimes their grey merged
wholly into green, but a very wonderful deep green that made them like
the sea; later, again, they were distinctly blue. They lit the entire
face, its expression changing when they changed. The frank and open
innocence of the child in them was countered, though not injuriously,
by an unfathomed depth that had its effect upon the whole physiognomy.
An arresting power shone in them as if imperiously. There were two
faces there.
And the singular and fascinating effect of these dominating eyes left
further judgment at first disabled. I noticed, however, that her mouth
had that generous width that makes for strength rather than for beauty;
that the teeth were fine and regular; and that the brown hair, tinged
with bronze, was untidy about the neck and ears. A narrow band of
black velvet encircled the throat; she wore a blouse, short skirt,
and high brown boots with nails that clattered on the stone flooring
when she moved. Since gathering vegetables in the dawn she had changed
her costume, evidently. A certain lightness, I saw now, had nothing of
irresponsibility in it, but was merely youth, vitality, and physical
vigour. She was fifteen years younger than Julius, if a day, and I
judged her age no more than twenty-five perhaps.
“It’s a pore house to have your friends to,” she said in her breezy,
uncultivated voice, “but I hope you managed all right with your
room--Professor?” It was the foundation of the voice that had the
uncultivated sound; on the top of it, like a layer of something
imitated or acquired, there was refinement. I got the impression that,
unconsciously, she aped the better manner of speech, yet was not aware
she did so.
Public-domain text, read in full here on John Shaqi.
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