Guyana -- Description and travel; Natural history -- Guyana
In the very suburbs of Pará, at the mouth of the great Amazon and within
a hundred miles of the equator, I found a Mecca of bird-life. It was a
gastronomic Mecca to be sure, a tall, slender, wild cinnamon
tree,--_canella do matto_ the natives called it. For a full week I
invited torture by attempting to study the bird-life of this single
tree. This thing had not been done before; it might not be worth the
doing. But testing such possibilities are as important to a naturalist's
work as following along the more conventional and consequently more
certain lines of investigation. I had no time for exploration of the
surrounding country; so I had determined to risk all my precious hours
upon intensive observation in one spot.
The century before, a plantling had pushed up through the jungle mold
and had won success in the terrible competition of the tropics--the
helpless, motionless, silent strife of the vegetable folk. Year by year
the lichen-sculptured trunk had pushed its way upward toward light and
air, miraculously saved from the deadly embraces of the lianas which
crawled forever through the jungle. Today it had gained an accepted
place. Although no forest giant, with no great buttresses or masses of
parasitic growths, it held up its branches and twigs in full sunlight a
hundred feet or more above the ground. And its twiggy fingers were laden
with a wonderful harvest of fruit, uncounted berries which attracted the
birds from distant roosts and drinking places.
Here, then, a thousand combinations of fate had led me, and here I
suffered day by day. Bound to the earth like other normal men, my eyes
should have been directed forward. Now I forced them upward for hours at
a time, and all the muscles of neck and shoulders revolted. Then
eyestrain and headache and a touch of fever followed, and I cast about
for means to ameliorate my bodily ills. I dragged a canvas steamer chair
to my place of vigil and all my body was grateful.
Public-domain text, read in full here on John Shaqi.
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