Guyana -- Description and travel; Natural history -- Guyana
We had settled on our toes in another squatting-place--a dark aisle with
only scattered flecks of light. The silence and breathlessness of the
mooncraters could have been no more complete than that which enveloped
us. My eye wandered from spot to spot, when suddenly I began to think of
that great owl-like goatsucker, the "poor-me-one." We had shot one at
Kalacoon a month before and no others had called since, and I had not
thought of the species again. Quite without reason I began to think of
the bird, of its wonderful markings, of the eyes which years ago in
Trinidad I had made to glow like iridescent globes in the light of a
flash, and then--a poor-me-one called behind us, not fifty feet away.
Even this did not seem strange among these surroundings. It was an
interesting happening, one which I have experienced many times in my
life. It may have been just another coincidence. I am quite certain it
was not. In any event it was a Dantesque touch, emphasized by the
character of the call--the wail of a lost soul being as good a simile as
any other. It started as a high, trembling wail, the final cry being
lost in the depths of whispered woe:--
_Oo----ooh!
oh!
oh!
oh!
oh!
oh!_
Nupee never moved; only his lips formed the name by which he knew
it--_halawoe_. Whatever else characterized the sounds of the jungle at
night, none became monotonous or common. Five minutes later the great
bird called to us from far, far away, as if from another round of
purgatory--an eerie lure to enter still deeper into the jungle depths.
We never heard it again.
Nature seems to have apportioned the voices of many of her creatures
with sensitive regard for their environment. Somber voices seem
fittingly to be associated with subdued light, and joyous notes with the
blaze of sunlit twigs and open meadows. A bobolink's bubbling carol is
unthinkable in a jungle, and the strain of a wood pewee on a sunny
hillside would be like an organ playing dance music. This is even more
pronounced in the tropics, where, quite aside from any mental
association on my part, the voices and calls of the jungle reflect the
qualities of that twilight world. The poor-me-one proves too much. He is
the very essence of night, his wings edged with velvet silence, his
plumage the mingled concentration of moss and lichens and dead wood.
Public-domain text, read in full here on John Shaqi.
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