Guyana -- Description and travel; Natural history -- Guyana
Whether I had spent the day in hard tramping or stalking in the jungle,
or at my laboratory table trying to disentangle the whys and wherefores
from the physical skein of my specimens, toward sunset I always went
down to the cement floor of an orchid-house long fallen in decay. This
was under the open sky, and from this spot on the highest hilltop in all
this region, I watched the end of the day.
No sunset should ever be described, and the Kalacoon sunsets were too
wonderful for aught but wordless reverence. They were explosions of wild
glory, palettefuls of unheard-of pigments splashed across the sky, and
most bewildering because they were chiefly in the east or north. This
evening on which I write was sealed with a sunset of negligible yellow,
but the east was a splendor of forest fires and minarets, great golden
castles and pale-green dragons and snow-capped mountains all conceived
and molded from glorious tumbled cloud-masses, and ultimately melting
back into them again. The moriche orioles met the beauty of the heavens
with their silver notes, and as the sky cooled, there arose the sweet,
trilled cadence of the little tinamou heralding the voices of night. The
silvery collared nighthawks began their eternal questioning
_who-are-you! who-are-you!_ and the coolness banished all thought of the
blistering sunshine now pouring down upon the waters of the Pacific.
Not until later, when the night-life was fairly under way, and all the
beings of the sun hidden and asleep, did the deep bass rumble of the big
toads commence, and the tinkling chorus of the little frogs. Last of all
came the essence of the nocturnal--the sound furthest removed from day.
All other voices seemed to become for an instant hushed, and the
poor-me-one spoke--a wail which rose, trembled, and broke into a falling
cadence of hopeless sighs.
And now, with the crescent moon writing its heliograph cipher upon the
water, a new sound arose, low and indistinct, lost for a moment, then
rising and lost again. Then it rang out rich and harmonious, the
full-throated paddling chanty of a gold-boat of blacks coming down river
with their tiny pokes of glittering dust. It tore at the heart-strings
of memory, and in its wildness, its sad minor strain, was strangely
moving. The steersman set the words and in high, quavering tones led the
chorus, which broke in, took up the phrase, different each time, and
repeated it twice over, with a sweet pathos, a finality of cadence which
no trained white chorus could reproduce.
Public-domain text, read in full here on John Shaqi.
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