Junior High School Literature, Book 1Elson, William H. (William Harris)
General
Junior High School Literature, Book 1
Elson, William H. (William Harris)
American literature; English literature; Readers
=Historical Note.= The Indian Mutiny was the great revolt of the
Bengal native army (the Sepoys) against the British rule in 1857. At
Lucknow, in northern India, the English were almost overcome. The
town, defended by a garrison of only 1720 men, who were protecting
many women and children, was besieged by a greatly superior number.
The defense, nevertheless, was maintained from the 30th of June to
the 26th of September, when the relief column under the Scottish
general, Sir Henry Havelock, preceded by the music of the bagpipes,
reached the city.
=Discussion.= 1. What stanzas picture Scotland and the feeling her
people have for the music of the bagpipe? 2. What contrasts show how
universal this feeling is? 3. In the first stanza, what is this music
said to be like? 4. What do you know about the bagpipe that makes
this comparison especially apt? 5. The poem tells a story; with what
stanzas does the story begin and end? 6. What relation to this story
have the first two stanzas? 7. What do you know of the Indian Mutiny
that helps you to understand this story? 8. Who first heard the sound
of the pipes? 9. How is this accounted for? 10. What did this sound
mean to her? 11. Read the stirring lines that give the spirit of the
martial music of the pipes. 12. Why did the piper change to the air
“Auld Lang Syne”? What stanzas picture the feeling of those who heard
this music? 13. What people wear the “tartan”? The “turban”? 14. What
is the most interesting point in the story? 15. Does the story make
clear the poet’s reason for saying that the “sweetest strain” the
pipes ever played was at Lucknow?
=Phrases=
droning of the torrents, 181, 3
treble of the rills, 181, 4
braes of broom, 181, 5
plaided mountaineer, 181, 10
ancient pibroch, 181, 13
the Indian tiger, 181, 17
jungle-serpent, 181, 19
low bewailing, 181, 27
cradle-crooning, 182, 11
vision of the seer, 182, 14
fierce as vengeance, 182, 29
Moslem mosque, 183, 6
pagan shrine, 183, 6
Goomtee cleaves the plain, 183, 12
SPANISH WATERS
JOHN MASEFIELD
Spanish waters, Spanish waters, you are ringing in my ears,
Like a slow sweet piece of music from the gray forgotten years;
Telling tales, and beating tunes, and bringing weary thought to me
Of the sandy beach at Muertos, where I would that I could be.
There’s a surf breaks on Los Muertos, and it never stops to roar,
And it’s there we came to anchor, and it’s there we went ashore,
Where the blue lagoon is silent amid snags of rotting trees,
Dropping like the clothes of corpses cast up by the seas.
We anchored at Los Muertos when the dipping sun was red,
We left her half-a-mile to sea, to west of Nigger Head;
And before the mist was on the Cay, before the day was done,
We were all ashore on Muertos with the gold that we had won.
Public-domain text, read in full here on John Shaqi.
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