Just Around the Corner: Romance en casseroleHurst, Fannie
General
Just Around the Corner: Romance en casserole
Hurst, Fannie
New York (N.Y.) -- Fiction; Short stories
Then the howl of a fiend, and a mile-long checkerboard of lighted
car-windows, and cinders rattling against them like hail.
A fire-boweled engine with a grimy-faced demon leaning out of his
red-hot cab, and, on every alternate night, a green eye with a black
pupil which winked a signal from that same heat-roaring cab and from a
dirt-colored frame shanty in a dirt-brown yard, where a naked tree
stretched its thin arms against the sky, an answering eye which gleamed
through a bandana-bound lantern and outlined the Hebe-like silhouette of
a woman in the window.
Then the flash of a mahogany-lined dining-car with nodding _vis-a-vis_,
pink-shaded candles and white-coated, black-faded genii of the bowl and
weal; an occasional vague figure peering through cupped hands out from
an electric-lighted berth; a plate-glass observation-car with figures
lounging in shallow leather chairs like oil-kings and merchant princes
and only sons in a Fifth Avenue club, and a great trailing plume of
smoke that lingered for a moment and died in the still tingling air.
For a full half-hour, even an hour, after the Imperial flyer had gouged
through the village the yellow lights of Slateville burned on behind its
unwashed windows, which were half opaque with train-dust and the grimy
finger-prints of children. Then they began to flick out, here,
there--here, there. In a slate-roofed shanty beside the quarry, in an
out-of-balance bookkeeper's office in the Slateville Varnish Factory, in
the Red Trunk general store and post-office, the parson's study, a
maiden's bedroom, in the dirt-colored frame house, another slate-roofed
shanty beside the quarry, another, and yet another. Here, there--here,
there.
The clerk in the signal-tower slumped in his chair, the doctor's
tin-tired buggy rattled up a hilly street that was shaped like a crooked
finger, and away beyond the melancholy stretches of close-bitten
grazing-land and runty corn-fields the flyer shrieked upward, and the
miles scuttled the echoes back to Slateville.
On an alternate night that was as singingly still as the inside of a cup
the flyer tore through the village with the cinders tattooing against
its panes and the white eye searching like a near-sighted cylcopean
monster.
But from the red fireman's cab the green lantern with the black
bull's-eye painted on the outward side dangled unlit, and in the
dirt-colored house, behind drawn shades, the Hebe-like figure was
crouched in another woman's arms, and, in the room adjoining, John
Blaney lay dead with a dent in his head.
Who-o-o-p! Who-o-o-p!
"Listen, Cottie, listen!"
"'Sh-h-h-h, darlin'."
The crouching women crouched closer together, a dove-note in the
crooning voice of one like the coo of a mate. "'Sh-h-h, darlin'."
"There it goes, Cottie. Gawd, just like nothing had happened."
"'Sh-h-h, dearie; lay still!"
"Listen. The engine's playin' a different tune on the tracks; it's
lighter and smoother."
"Yes--yes--'sh-h-h."
Public-domain text, read in full here on John Shaqi.
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