Just Around the Corner: Romance en casseroleHurst, Fannie
General
Just Around the Corner: Romance en casserole
Hurst, Fannie
New York (N.Y.) -- Fiction; Short stories
"Sure! The first job I ever went out for I could 'a' had. Five sides to
the part--two songs and a specialty solo, but, instead, I hit him flop
across the cheek with my glove and walked out, leavin' him staggerin'
and my engagement layin' on the floor. I--I ain't preachin' to you,
honey--I'm just tellin'! Every girl in this business has got to decide
for herself--I ain't sayin' one thing or the other."
"Ysobel--hit who across the cheek--hit who?"
"Take it from me, honey, and remember I ain't tryin' to sing you the
'Saint's Serenade,' but take it from me, if I was startin' all over
again--way back where you are--I--I'd do the glove act over again. I
would, honey, I would, and I ain't preachin', neither."
"Honest to Gawd, Ysobel; I don't know what--"
"Ain't I told you to cut out that ingenoo with me--honest, it gets on my
nerves! Watch out, there!"
"Gee; that scart me!"
"Them are pay-as-you-exit taxi-cabs we're dodging. The chorus-girls'
sun-parlors, if you listen to the Sunday supplements and funny papers."
"The time we--came--John--was a great one for watchin' them."
"Take it from me that about all nine out of ten of us gay la-la girls
you read about, get out of 'em, is watchin'. All we know about them is
dodgin' them after the show to get home in a hurry, stick our feet in
hot water to get some of the ache out, and fall into bed too tired to
smear the cold-cream off."
"Watch out, there, Ysobel!"
"The truth about the chorus-girl would cripple the box-office and put
the feature supplements and press-agents out of business. Here we are,
Della--I got to stop off at nine just a minute, and you wait outside for
me; remember when we get up to eleven--Western circuit, silent principal
and--"
"Western circuit--Western circuit!"
The Putney Building reared nineteen white-tile, marble-facaded stories
straight up from the most expensive heart-acreage of Broadway and
stemmed the Thespian tide that rushed in from every side and surged
against its booking-offices.
A bronze elevator the size of a Harlem bedroom and crowded to its
capacity shot them upward with the breath-taking flight of a frightened
bird.
Ysobel crowded into a corner and nudged a youthful-looking old man in a
blue-and-white striped collar and too much bay-rum.
"Hello, Eddie!"
"Hello yourself, Ysobel."
"How are yuh?"
"Ain't braggin'."
"What you doin', Eddie?"
"Rehearsin' with a act."
"Musical?"
"No."
"Specialty?"
"No--er--high-class burlesque--two a day."
"Oh!"
"You workin', Ysobel?"
"Got three things danglin'--ain't signed yet. Just came in last week."
"S'long."
"S'long. Come on, Della. Watch out there, Eddie--a fellow burnt a hole
in my friend lookin' at her like that once."
A titter ran around the elevator, and the old young man writhed in his
blue-striped collar.
"'Sh-h-h, Ysobel; everybody heard you." A rosily opalescent hue swam
high into Della's face as she stepped out of the elevator, and dyed her
neck.
Public-domain text, read in full here on John Shaqi.
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