The missionary replies, holding tenaciously to his umbrella, “That may
be true; but I fear they will be waiting me at home.” Again he scans
inquiringly into the drenched area of the Points; then bidding the
officer good-night, is soon out of sight, on his way into Centre
Street. Reaching the old stoop, the detective touches a spring, and the
shattered door opens into a narrow, gloomy passage, along which he
gropes his way, over a floor cobbled with filth, and against an
atmosphere thick of disease. Now a faint light flashes through a
crevice in the left wall, plays fantastically upon the black surface of
the opposite, then dies away. The detective lights his lantern, stands
a moment with his ear turned, as if listening to the revelry in the
bottomless pit. A door opens to his touch, he enters a cave-like
room-it is the one from out which the light stole so curiously, and in
which all is misery and sadness. A few embers still burn in a great
brick fire-place, shedding a lurid glow over the damp, filthy walls,
the discolored ceiling, and the grotesque group upon the floor. “You
needn’t come at this time of night-we are all honest people;” speaks a
massive negro, of savage visage, who (he is clothed in rags) sits at
the left side of the fireplace. He coaxes the remnant of his fire to
cook some coarse food he has placed in a small, black stew-pan, he
watches with steady gaze. Three white females (we blush to say it),
their bare, brawny arms resting on their knees, and their disfigured
faces drooped into their hands, form an half circle on the opposite
side.
“The world don’t think nothin’ of us down here-we haven’t had a bite to
eat to-night,” gruffly resumes the negro.
Public-domain text, read in full here on John Shaqi.
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