“God knows it’s a mistake, Mr. Fitzgerald.” Mr. Downey changes the
subject, by saying the foreigners in the garret are a great nuisance,
and disturb him of his rest at night.
A small, crooked stair leads into “Organ-grinders’ Roost,” in the
garret. To “Organ-grinders’ Roost” the detective ascends. If, reader,
you have ever pictured in your mind the cave of despair, peopled by
beings human only in shape, you may form a faint idea of the
wretchedness presented in “Organ-grinders’ Roost,” at the top of the
house of the Nine Nations. Seven stalworth men shoot out from among a
mass of rags on the floor, and with dark, wandering eyes, and massive,
uncombed beards, commence in their native Italian a series of
interrogatories, not one of which the detective can understand. They
would inquire for whom he seeks at this strange hour. He (the
detective) stands unmoved, as with savage gesture-he has discovered his
star-they tell him they are famishing of hunger. A pretty black-eyed
girl, to whose pale, but beautifully oval face an expression of sorrow
lends a touching softness, lays on the bare floor, beside a mother of
patriarchal aspect. Now she is seized with a sharp cough that brings
blood at every paroxysm. As if forgetting herself, she lays her hand
gently upon the cheek of her mother, anxious to comfort her. Ah! the
hard hand of poverty has been upon her through life, and stubbornly
refuses to relax its grip, even in her old age. An organ forms here and
there a division between the sleepers; two grave-visaged monkeys sit
chattering in the fireplace, then crouch down on the few charred
sticks. A picture of the crucifix is seen conspicuous over the dingy
fireplace, while from the slanting roof hang several leathern girdles.
Oh, what a struggle for life is their’s! Mothers, fathers, daughters,
and little children, thus promiscuously grouped, and coming up in
neglect and shame. There an old man, whom remorseless death is just
calling into eternity, with dull, glassy eyes, white, flowing beard,
bald head, sunken mouth, begrimed and deeply-wrinkled face, rises,
spectre-like, from his pallet. Now he draws from his breast a small
crucifix, and commences muttering to it in a guttural voice. “Peace,
peace, good old man-the holy father will come soon-the holy virgin will
come soon: he will receive the good spirit to his bosom,” says a
black-eyed daughter, patting him gently upon the head, then looking in
his face solicitously, as he turns his eyes upward, and for a few
moments seems invoking the mercy of the Allwise. “Yes, father,” she
resumes, lightening up the mat of straw upon which he lays, “the world
has been unkind to you, but you are passing from it to a better-you
will be at peace soon.”
“Soon, soon, soon,” mumbles the old man, in a whisper; and having
carefully returned the crucifix to his bosom, grasps fervently the hand
of the girl and kisses it, as her eyes swim in tears.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account