very one against whom you had endeavored most to restrain your generous
impulses. Like the fine lines upon a picture with a repulsive design,
you trace them, and recur to them until your admiration is carried away
captive. So it is with woman’s charms. Tom Swiggs, then, the restored
man, bows before the simple goodness of the daughter of the old
Antiquary.
Mr. Trueman, the shipowner, gave Tom employment, and has proved a
friend to him. Tom, in turn, has so far gained his confidence and
respect that Mr. Trueman contemplates sending him to London, on board
one of his ships. Nor has Tom forgotten to repay the old Antiquary, who
gave him a shelter when he was homeless; this home is still under the
roof of the old man, toward whose comfort he contributes weekly a
portion of his earnings. If you could but look into that little
back-parlor, you would see a picture of humble cheerfulness presented
in the old man, his daughter, and Tom Swiggs, seated round the
tea-table. Let us, however, turn and look into one of our gaudy
saloons, that we may see how different a picture is presented there.
It is the night previous to an election for Mayor. Leaden clouds hang
threatening over the city; the gaslight throws out its shadows at an
early hour; and loud-talking men throng our street-corners and public
resorts. Our politicians tell us that the destiny of the rich and the
poor is to forever guard that institution which employs all our
passions, and absorbs all our energies.
In a curtained box, at the St. Charles, sits Mr. Snivel and George
Mullholland-the latter careworn and downcast of countenance. “Let us
finish this champaign, my good fellow,” says the politician, emptying
his glass. “A man-I mean one who wants to get up in the world-must,
like me, have two distinct natures. He must have a grave, moral
nature-that is necessary to the affairs of State. And he must, to
accommodate himself to the world (law and society, I mean), have a
terribly loose nature-a perfect quicksand, into which he can drag
everything that serves himself. You have seen how I can develop both
these, eh?” The downcast man shakes his head, as the politician watches
him with a steady gaze. “Take the advice of a friend, now, let the
Judge alone-don’t threaten again to shoot that girl. Threats are
sometimes dragged in as testimony against a man (Mr. Snivel taps George
admonishingly on the arm); and should anything of a serious nature
befall her-the law is curious-why, what you have said might implicate
you, though you were innocent.”
“You,” interrupts George, “have shot your man down in the street.”
Public-domain text, read in full here on John Shaqi.
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