“How long,” inquires Madame Montford, who has been questioning within
herself whether any act of her life could have brought a human being
into such a place, “has she been confined here?” Mr. Glentworthy says
she tells her own tale.
“Five years,—five years,—five long, long years, I have waited for him
in the dark, but he won’t come,” she lisps in a faltering voice, as her
emotions overwhelm her. Then crouching back upon the floor, she
supports her head pensively in her left hand, her elbow resting on her
knee, and her right hand poised against the brick wall. “Pencele!” says
Mr. Glentworthy, for such is the wretched woman’s name, “cannot you
sing a song for your friends?” Turning aside to Madame Montford, he
adds, “she sings nicely. We shall soon get her out of the way-can’t
last much longer.” Mr. Glentworthy, drawing a small bottle from his
pocket, places it to his lips, saying he stole it from old Saddlerock,
and gulps down a portion of the contents. His breath is already
redolent of whiskey. “Oh, yes, yes, yes! I can sing for them, I can
smother them with kisses. Good faces seldom look in here, seldom look
in here,” she rises to her feet, and extends her bony hand, as the
tears steal down Madame Montford’s cheeks. Tom stands speechless. He
wishes he had power to redress the wrongs of this suffering maniac-his
very soul fires up against the coldness and apathy of a people who
permit such outrages against humanity. “There!—he comes! he comes! he
comes!” the maniac speaks, with faltering voice, then strikes up a
plaintive air, which she sings with a voice of much sweetness, to these
words: When you find him, speed him to me, And this heart will cease
its bleeding, &c.
The history of all this poor maniac’s sufferings is told in a few
simple words that fall incautiously from Mr. Glentworthy’s lips: “Poor
fool, she had only been married a couple of weeks, when they sold her
husband down South. She thinks if she keeps mad, he’ll come back.”
There was something touching, something melancholy in the music of her
song, as its strains verberated and reverberated through the dread
vault, then, like the echo of a lover’s lute on some Alpine hill, died
softly away.
CHAPTER XXXIII.
IN WHICH THERE IS A SINGULAR REVELATION.
Public-domain text, read in full here on John Shaqi.
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