A few weeks pass: Keepum’s reputation for courage is fully endorsed, the Attorney-General finds nothing in the act to justify him in bringing it before a Grand Jury, the law is satisfied (or ought to be satisfied), and the rich murderer sleeps without a pang of remorse. CHAPTER XLII. IN WHICH SOME LIGHT IS THROWN ON THE PLOT OF THIS HISTORY. June, July, and August are past away, and September, with all its autumnal beauties, ushers in, without bringing anything to lighten the cares of that girl whose father yet pines in prison. She looks forward, hoping against hope, to the return of her lover (something tells her he still lives), only to feel more keenly the pangs of hope deferred. And now, once more, New York, we are in thy busy streets. It is a pleasant evening in early September. The soft rays of an autumn sun are tinging the western sky, and night is fast drawing her sable mantle over the scene. In Washington Square, near where the tiny fountain jets its stream into a round, grassy-bordered basin, there sits a man of middle stature, apparently in deep study. His dress is plain, and might be taken for that of either a working man, or a somewhat faded inspector of customs. Heedless of those passing to and fro, he sits until night fairly sets in, then rises, and faces towards the East. Through the trunks of trees he sees, and seems contemplating the gray walls of the University, and the bold, sombre front of the very aristocratic church of the Reformed Dutch. “Well!” he mutters to himself, resuming his seat, and again facing to the west, “this ere business of ourn is a great book of life-’tis that! Finds us in queer places; now and then mixed up curiously.” He rises a second time, advances to a gas-light, draws a letter from his pocket, and scans, with an air of evident satisfaction, over the contents. “Umph!” he resumes, and shrugs his shoulders, “I was right on the address-ought to have known it without looking.” Having resumed his seat, he returns the letter to his pocket, sits with his elbow upon his knee, and his head rested thoughtfully in his right hand. The picture before him, so calm and soft, has no attractions for him. The dusky hues of night, for slowly the scene darkens, seem lending a softness and calmness to the foliage. The weeping branches of the willow, interspersed here and there, as if to invest the picture with a touching melancholy, sway gently to and fro; the leaves of the silvery poplar tremble and reflect their shadows on the fresh waters; and the flitting gas-lights mingle their gleams, play and sport over the rippled surface, coquet with the tripping star-beams, then throw fantastic lights over the swaying foliage; and from beneath the massive branches of trees, there shines out, in bold relief, the marble porticoes and lintels of stately—looking mansions. Such is the calm grandeur of the scene, that one could imagine some Thalia investing it with a poetic charm the gods might muse over.