On reaching the door she finds the house turned into a bivouac of
revelry; her own chamber is invaded, and young men and women are making
night jubilant over Champagne and cigars. Mr. Keepum and the Hon. Mr.
Snivel are prominent among the carousers; and both are hectic of
dissipation. Shall she flee back to the prison? Shall she go cast
herself at the mercy of the keeper? As she is about following the
thought with the act, she is seized rudely by the arms, dragged into
the scene of carousal, and made the object of coarse jokes. One insists
that she must come forward and drink; another holds an effervescing
glass to her lips; a third says he regards her modesty out of place,
and demands that she drown it with mellowing drinks. The almost
helpless girl shrieks, and struggles to free herself from the grasp of
her enemies. Mr. Snivel, thinking it highly improper that such cries go
free, catches her in his arms, and places his hand over her mouth.
“Caught among queer birds at last,” he says, throwing an insidious wink
at Keepum. “Will flock together, eh?”
As if suddenly invested with herculean strength, Maria hurls the
ruffian from her, and lays him prostrate on the floor. In his fall the
table is overset, and bottles, decanters and sundry cut glass
accompaniments, are spread in a confused mass on the floor. Suddenly
Mr. Keepum extinguishes the lights. This is the signal for a scene of
uproar and confusion we leave the reader to picture in his imagination.
The cry of “murder” is followed quickly by the cry of “watch, watch!”
and when the guardmen appear, which they are not long in doing, it is
seen that the very chivalric gentlemen have taken themselves off-left,
as a prey for the guard, only Maria and three frail females.
Cries, entreaties, and explanations, are all useless with such men as
our guard is composed of. Her clothes are torn, and she is found
rioting in disreputable company. The sergeant of the guard says, “Being
thus disagreeably caught, she must abide the penalty. It may teach you
how to model your morals,” he adds; and straightway, at midnight, she
is dragged to the guard-house, and in spite of her entreaties, locked
up in a cell with the outcast women. “Will you not hear me? will you
not allow an innocent woman to speak in her own behalf? Do, I beg, I
beseech, I implore you-listen but for a minute-render me justice, and
save me from this last step of shame and disgrace,” she appeals to the
sergeant, as the cell door closes upon her.
Mr. Sergeant Stubble, for such is his name, shakes his head in doubt.
“Always just so,” he says, with a shrug of the shoulders: “every one’s
innocent what comes here ’specially women of your sort. The worst
rioters ’come the greatest sentimentalists, and repents most when they
gets locked up-does! You’ll find it a righteous place for reflection,
in there.” Mr. Sergeant Stubble shuts the door, and smothers her cries.
CHAPTER XLVI.
THE SOUL MAY GAIN STRENGTH IN A DREARY CELL.
Public-domain text, read in full here on John Shaqi.
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