Kabuki : $b The popular stage of JapanKincaid, Zoë
History
Kabuki : $b The popular stage of Japan
Kincaid, Zoë
Japanese drama -- History and criticism; Kabuki; Theater -- Japan
At the same time the theatre censors drew their net of regulations
closer and closer. Yedo shibai, unlike those of Osaka and Kyoto, had
previous to the Yenoshima affair two galleries, making three stories,
but the authorities reduced them to one. Thin bamboo blinds had been
suspended from the galleries as a protection for high-class playgoers
that they might be removed from the vulgar gaze, but these were ordered
to be taken down. This meant that persons of good family could no
longer attend the theatre. Passage-ways from the theatre to the homes
of the proprietors were taken away, special rooms for banqueting at
the tea-houses were given up. Even the roofs of the theatres, that had
been constructed in a more substantial way to protect playgoers against
the elements, were ordered to be made in a lighter fashion. When
alterations were desired in the construction of theatres or tea-houses,
report had to be made first to the officials before permission to
proceed could be obtained. The theatre was closed early, and no plays
allowed to run after sunset.
Such were some of the shibai regulations that came about as the result
of the Lady Yenoshima’s indiscretions.
Stage costumes especially came under the merciless scrutiny of the
authorities. Special restrictions were made in 1789. All costumes were
examined on the day preceding the performance. Officials were
appointed whose duty it became to examine stage affairs to the minutest
detail, and after they had peered into all the nooks and corners behind
the stage, they gave permission for the play to be performed, or
interfered sadly with the arrangements, by demanding alterations at the
last moment, according to their whim, or from some idea of the proper
respect due to their dignity. If there were any changes in the plays
after the inspection, the offenders were summoned to appear at the
censor’s office and were fined or reprimanded.
Many devices were resorted to by the yakusha to protect their
beautiful kimono that they often designed themselves and as frequently
embroidered with their own hands. Sometimes the better to pass the
officials’ inspection they sewed pieces of plain material over the
decorated portions of their costumes, but if a report of fine raiment
reached the ears of the ever-watchful ones, reprimands were in order.
Public-domain text, read in full here on John Shaqi.
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