Kabuki : $b The popular stage of JapanKincaid, Zoë
History
Kabuki : $b The popular stage of Japan
Kincaid, Zoë
Japanese drama -- History and criticism; Kabuki; Theater -- Japan
Shortly after, Gonta comes forth, seizes the tub with the head
and makes a hurried exit by the hanamichi. Then the wife and child of
the prince appear. O-Sato, who has been sleeping behind a low screen,
awakens at the sound of their voices and realises the high degree of
her supposed lover. Her love-dream over, she is weepingly respectful to
the fine lady.
For safety’s sake, the Heike prince and his family leave the house,
and have barely escaped before a resplendent warrior walks with
stately tread through the audience, accompanied by a retinue of
attendants. He is dressed in black and white, with a wonderful
head-dress, the decorations of which are like the golden antennae of
an insect, glittering in the mellow glow of the lights carried by the
torch-bearers.
In terror the sushi-ya runs to meet the train and peers up into their
faces, but they pay little attention. The old man, at the command of
the grandee, places the sushi tub which he thinks contains the head in
front of the examiner, who orders that the ghastly object be brought
forth. The mother has seen her erring son, Gonta, place the money in
that very tub, and she objects to the examination of the contents since
she knows what a disappointment awaits her husband.
While they struggle over the tub, Gonta strides bravely along the
hanamichi, full of importance, the sushi tub containing the head under
his arm. This he offers for the examiner’s inspection, and so saves the
day!
But the parents think that he has proved disloyal and taken the head of
the prince for the sake of the reward, and their belief is strengthened
when they see that he has with him the supposed wife and child of the
prince, gagged and bound, whom he treats in the most insulting manner.
The pompous official then demands the head. The torch-bearers draw near
that he may view it the better. He unfolds his gold fan and continues
to gaze for a long time, conveying to the audience without words that
he is satisfied it is the head of Prince Koremori, and prepares to
depart. Gonta watches his every movement, fearful that something may
happen at the last moment to upset his carefully made plans. Before the
official departs he presents Gonta with a gift in the shape of a kimono.
No sooner has the examiner left, than the sushi-ya, overcome at the
idea of his son’s lack of loyalty in giving up the prince and his
family to the enemy, falls on Gonta with his sword and pierces him to
the heart.
Public-domain text, read in full here on John Shaqi.
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