Kabuki : $b The popular stage of JapanKincaid, Zoë
History
Kabuki : $b The popular stage of Japan
Kincaid, Zoë
Japanese drama -- History and criticism; Kabuki; Theater -- Japan
If Chikamatsu had written little else, his characters Jihei and Koharu
would save his name from oblivion. This piece, _Sayo Shigure Tenno
Amijima_ (lit., Evening-shower-heaven-net-island), was first staged in
1720 in the Osaka Doll-theatre, when Chikamatsu was in the sixties.
He had taken an excursion to the ancient Shinto Shrine of Sumiyoshi,
near Osaka, when the news reached him of the double suicide of a couple
called Jihei and Koharu. He ordered his palanquin-bearers to carry him
home as quickly as they could, and within his dwelling seized paper
and writing brush and elaborated the ideas that had come to his mind,
scarcely stopping to take breath until the play was finished.
Koharu is a belle of the Kinokuniya, a house in the Osaka pleasure
quarters, and Jihei conducts a prosperous paper shop, and has a wife,
O-San, and two children. His wife has been bestowed upon him by his
parents, and as she is not his own choice, his wandering fancy is
captivated by Koharu. He forgets everything in his infatuation, and is
on the brink of ruin when O-San writes to Koharu asking her to give up
Jihei. This Koharu consents to do after a struggle between her apparent
duty and her love for the young man. Jihei, unacquainted with the
facts, believes her false and mercenary.
Jihei cannot settle down to the domestic routine, and his thoughts will
turn to Koharu. His peace of mind is further disturbed, for he learns
that he has a rich rival who intends to purchase Koharu’s freedom and
who has invented various belittling tales about his desertion of Koharu.
When O-San hears how things are, she declares that Koharu would die
rather than submit to her new patron, and that Jihei must buy her out
without delay. Her treasured kimono are given to Jihei, and, sobbing,
the loyal wife says that although she and the children may have no
clothing, reputation is dear to a man, and that the wealthy person
who wishes to take possession of Koharu must be defeated at all costs.
O-San’s father then arrives on the scene, declaring that he has come to
take her home, and that they must consider themselves divorced.
Beset on every side, Jihei and Koharu decide to die together. Jihei
leaves the Kinokuniya after paying his account. Then he stands by the
side of the house waiting for Koharu. His elder brother, Magoyemon, who
fears that Jihei may do something rash, comes to inquire about him, and
is told that Jihei has returned home and Koharu is sleeping. It is late
at night, and Magoyemon has Jihei’s little son on his back to whom he
says: “I hope you won’t take cold. You are unfortunate to have such a
father”, which remark Jihei overhears as he hides in the shadow.
The night-watch strikes his two pieces of wood as a signal that all is
well, and the sound echoes in the deserted street. Then Koharu keeps
the tryst, and they run as fast as they can to the river-bank, where
their bodies are found together in a clump of bamboo the next morning.
Public-domain text, read in full here on John Shaqi.
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