Kakemono : $b Japanese sketchesEdwards, A. Herbage
Religion
Kakemono : $b Japanese sketches
Edwards, A. Herbage
Japan -- Description and travel; Japan -- Social life and customs
The city through its girdle of brown streets works hard, its wharfs
and factories, its shops and warehouses are dense with human life
and resonant with human labour. The low brown streets so thick with
flimsy paper houses stretch for ten miles along the plain. In them the
children play, the _kuruma_ pass quickly, the heavy laden hand-carts of
the coolies push and jostle, but the heart of this great capital lies
still.
From circumference to centre as you come, through street on street
of houses, wharves and shops, the magic of the city grows. First the
streets space out and out, then the houses dwindle as the trees and
gardens grow, greener, wilder, stiller, till the heart of Tokyo’s city
is a moated park of peace.
Up nine steep hills the city spreads, and sea and river, and the wide
green rice-fields lap it round, while far away across the land, above
the level blue of sky great Fuji rises peerless in the midmost heaven.
Engirdled by the thronged and busy streets the nine tall hills peaceful
with well-kept houses and secluded gardens, make a crescent round the
moated park. For in this strange city whose centre is a palace and a
peaceful walled-in pleasaunce the “suburbs” lie within and not without
the town.
And through the town and over street and roadway, in the gardens and
the courtyards the gaunt beaked crows flap coal-black wings as they
sail past, and their cynical “Haw, haw” is sarcastic with an utter
disbelief. With stately swoop, black wings outspread, they drift past
the ear of the newcomer confident with a three weeks’ visit that he
understands the East, and in the midst of his cocksureness they drop
their cold, sarcastic “Haw.”
Brown and so crowded are the streets, bewildering with their jostle of
blue-clad men and women, their open stalls, their unmade roads of earth
stretching flat between the houses on each side, where man-drawn carts,
and _kuruma_, passengers, and children get in each other’s way. The
white uniformed policeman, sword on thigh, stands, a bronze statue, at
each busy corner, and to him even the criminal is polite. And down the
streets and through and through the town, cut straight or winding, the
brown canals, valleys of black mud, or slow streams of dark water, run
to the river and the sea. And thousands upon thousands, too, seem the
bridges, some flat and narrow as gangways, most arched in a crescent
curve, and the brown canals run from the sea and from the river far
within the town.
Public-domain text, read in full here on John Shaqi.
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