“And there was I, knave, fool, and ninny, whining to go back to Europe,
and abusing Australia for not being like it. That horrible, horrible
staleness of Europe, and all their trite consciousness, and their
dreariness. The dreariness! The sterility of their feelings! And here
was I carping at Kangaroo and at Jack Callcott, who are golden wonders
compared with anything I have known in the old world. Australia has got
some real, positive indifference to ‘questions,’ but Europe is one big
wriggling question and nothing else. A tangle of quibbles. I’d rather be
shot here next week, than quibble the rest of my life away in
over-upholstered Europe.”
He left off kicking himself, and went down to the shore to get away from
himself. After all, he knew the endless water would soon make him
forget. It had a language which spoke utterly without concern of him,
and this utter unconcern gradually soothed him of himself and his world.
He began to forget.
There had been a squall in the night. At the tip of the rock-shelves
above the waves men and youths, with bare, reddish legs, were fishing
with lines for blackfish. They looked like animal creatures perching
there, and like creatures they were passive or darting in their
movements. A big albatross swung slowly down the surf: albatross or
mollyhawk, with wide, waving wings.
The sea had thrown up, all along the surf-line, queer glittery creatures
that looked like thin blown glass. They were bright transparent bladders
of the most delicate ink-blue, with a long crest of deeper blue, and
blind ends of translucent purple. And they had bunches of blue, blue
strings, and one long blue string that trailed almost a yard across the
sand, straight and blue and translucent. They must have been some sort
of little octopus, with the bright glass bladder, big as smallish narrow
pears, with a blue frill along the top to float them, and the strings to
feel with--and perhaps the long string to anchor by. Who knows? Yet
there they were, soft, brilliant, like pouches of frailest sea-glass. It
reminded Somers of the glass they blow at Burano, at Venice. But there
they never get the lovely soft texture and the colour.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account