Sharpe had taken a house further along the coast, brought his piano down
from London and sufficient furniture and a housekeeper, and insisted,
like a morose bird, that he wanted to be alone. But he wasn’t really
morose, and he didn’t want really to be alone. His old house, rather
ramshackle, stood back a little way from the cliffs, where the moor came
down savagely to the sea, past a deserted tin mine. It was lonely, wild,
and in a savage way, poetic enough. Here Sharpe installed himself for
the moment: to be alone with his music and his general discontent.
Of course he excited the wildest comments. He had window-curtains of
different colours, so of course, _here_ was plain signalling to the
German submarines. Spies, the lot of them. When still another young man
of the same set came and took a bungalow on the moors, West Cornwall
decided that it was being delivered straight into German hands. Not that
West Cornwall would really have minded that so terribly. No; it wasn’t
that it feared the Germans. It was that it hated the sight of these
recalcitrant young men. And Somers the instigator, the arch-spy, the
responsible little swine with his beard.
Somers, meanwhile, began to chuckle a bit to himself. After all he was
getting the better of the military _canaille_. _Canaille! Canaglia!
Schweinerei!_ He loathed them in all the languages he could lay his
tongue to.
So Somers and Harriet went to stay a week-end with Sharpe at Trevenna,
as the house was called. Sharpe was a C 2 man, on perpetual tenterhooks.
He had decided that if ever _he_ were summoned to serve, he would just
disappear. The Somers drove over, only three or four miles, on the
Saturday afternoon, and the three wandered on the moor and down the
cliff. No one was in sight. But how many pairs of eyes were watching,
who knows? Sharpe lighting a cigarette for Harriet was an indication of
untold immorality.
Evening came, the lamps were lit, and the incriminating curtains
carefully drawn. The three sat before the fire in the long music room,
and tried to be cosy and jolly. But there was something wrong with the
mood. After dinner it was even worse. Harriet curled herself up on the
sofa with a cigarette, Sharpe spread himself in profound melancholy in
his big chair, Somers sat back, nearer the window. They talked in
occasional snatches, in mockery of the enemy that surrounded them. Then
Somers sang to himself, in an irritating way, one German folksong after
another, not in a songful, but in a defiant way.
_“Annchen von Tharau”--“Schatz, mein Schatz, reite nicht so weit von
mir.” “Zu Strasburg auf der Schanz, da fiel mein Unglück ein.”_ This
went on till Sharpe asked him to stop.
And in the silence, the tense and irritable silence that followed, came
a loud bang. All got up in alarm, and followed Sharpe through the
dining-room to the small entrance-room, where a dim light was burning. A
lieutenant and three sordid men in the dark behind him, one with a
lantern.
Public-domain text, read in full here on John Shaqi.
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