Two tiny birds, one brown, one with a sky-blue patch on his head, like a
dab of sky, fluttered and strutted, hoisting their long tails at an
absurd angle. They were real: the absurd, sharp, unafraid creatures.
They seemed to have no deep natural fear, as creatures in Europe have.
Again and again Somers had felt this in Australia: the creatures had no
sense of fear as in Europe. There was no animal fear in the air, as
there is so deeply in India. Only sometimes a grey metaphysical dread.
“Perhaps,” thought he to himself, “this is really the country where men
might live in a sort of harmless Eden, once they have settled the old
Adam in themselves.”
He wandered the hot streets, walked round the circular quay and saw the
women going to the ferries. So many women, _almost_ elegant. Yet their
elegance provincial, without pride, awful. So many _almost_ beautiful
women. When they were in repose, quite beautiful, with pure, wistful
faces, and some nobility of expression. Then, see them change
countenance, and it seemed almost always a grimace of ugliness. Hear
them speak, and it was startling, so ugly. Once in motion they were not
beautiful. Still, when their features were immobile, they were lovely.
Richard had noticed this in many cases. And they were like the birds,
quite without fear, impudent, perky, with a strange spasmodic
self-satisfaction. Almost every one of the younger women walked as if
she thought she was sexually trailing every man in the street after her.
And that was absurd, too, because the men seemed more often than not to
hurry away and leave a blank space between them and these women. But it
made no matter: like mad-women the females, in their quasi-elegance,
pranced with that prance of crazy triumph in their own sexual powers
which left little Richard flabbergasted.
Hot, big, free-and-easy streets of Sydney: without any sense of an
imposition of _control_. No control, everybody going his own ways with
alert harmlessness. On the pavement the foot-passengers walked in two
divided streams, keeping to the left, and by their unanimity made it
impossible for you to wander and look at the shops, if the shops
happened to be on your right. The stream of foot passengers flowed over
you.
And so it was: far more regulated than London, yet all with a curious
exhilaration of voluntariness that oppressed Richard like a madness. No
control, and no opposition to control. Policemen were cyphers, not
noticeable. Every man his own policeman. The terrible lift of the
_harmless_ crowd. The strange relief from all superimposed control. One
feels the police, for example, in London, and their civic majesty of
authority. But in Sydney no majesty of authority at all. Absolute
freedom from all that. Great freedom in the air. Yet, if you got into
the wrong stream on the pavement you felt they’d tread you down, almost
unseeing. You just _mustn’t_ get in the wrong stream--Liberty!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account