He loved to wander in the bush at evening, when night fell so delicately
yet with such soft mystery. Then the sky behind the trees was all soft,
rose pink, and the great gum-trees ran up their white limbs into the air
like quicksilver, plumed at the tips with dark tufts. Like rivulets the
white boughs ran up from the white trunk: or like great nerves, with
nerve-like articulations, branching into the dusk. Then he would stand
under a tall fern-tree, and look up through the whorl of lace above his
head, listening to the birds calling in the evening stillness, the
parrots making a chinking noise.
Sitting at the edge of the bush he looked at the settlement and the sea
beyond. He had quite forgotten how he used to grumble at the haphazard
throwing of bungalows here and there and anywhere: how he used to hate
the tin roofs, and the untidiness. It recalled to him the young
Australian captain: “Oh, how I liked the rain on the tin roofs of the
huts at the war. It reminded me of Australia.”
“And now,” thought Richard to himself, “tin roofs and scattered shanties
will always remind me of Australia. They seem to me beautiful, though
it’s a fact they have nothing to do with beauty.”
But, oh, the deep mystery of joy it was to him to sit at the edge of the
bush as twilight fell, and look down at the township. The bungalows
were built mostly on the sides of the slopes. They had no foundations,
but stood on brickwork props, which brought them up to the level. There
they stood on the hillsides, on their short legs, with darkness under
their floors, the little bungalows, looking as if they weighed nothing.
Looking flimsy, made of wood with corrugated zinc roofs. Some of them
were painted dark red, roofs and all, some were painted grey, some were
wooden simply. Many had the white-grey zinc roofs, pale and delicate. At
the back was always one big water-butt of corrugated iron, a big round
tank painted dark-red, the corrugation ribs running round, and a jerky,
red-painted pipe coming down from the eaves. Sometimes there were two of
these tanks: and a thin, not very tidy woman in a big straw hat stooping
to the tap at the bottom of the tank. The roof came down low, making a
long shade over the wooden verandahs. Nearly always a little loggia at
the back, from which the house-door opened. And this little verandah was
the woman’s kitchen; there she had a little table with her dirty dishes,
which she was going to wash up. And a cat would be trotting around, as
if it had not an enemy in the world, while from the verandah a parrot
called.
Public-domain text, read in full here on John Shaqi.
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