“Ah, yes. Evil is the great principle that opposes life in its new
urges. The principle of permanency, everlastingness is, in my opinion,
the root of evil. The Ten Commandments which Moses heard were the very
voice of life. But the tablets of stone he engraved them on are
millstones round our necks. Commandments should fade as flowers do. They
are no more divine than flowers are. But our divine flowers--look at
those hibiscus--they don’t want to immortalise themselves into stone. If
they turned into stone on my table, my heart would almost stop beating,
and lose its hope and its joy. But they won’t. They will quietly, gently
wither. And I love them for it. And so should all creeds, all gods,
quietly and gently curl up and wither as their evening approaches. That
is the only way of true holiness, in my opinion.”
The man had a beautiful voice, when he was really talking. It was like a
flute, a wood-instrument. And his face, with that odd look of a sheep or
a kangaroo, took on an extraordinary beauty of its own, a glow as if it
were suffused with light. And the eyes shone with a queer, holy light,
behind the eyeglasses. And yet it was still the kangaroo face.
Somers watched the face, and dropped his head. He sat feeling rebuked.
He was so impatient and outrageous himself. And the steady loveliness of
this man’s warm, wise heart was too much for him. He was abashed before
it.
“Ah, yes,” Kangaroo re-echoed. “There is a principle of evil. The
principle of resistance. Malignant resistance to the life principle. And
it uses the very life-force itself against life, and sometimes seems as
if it were absolutely winning. Not only Jesus rose from the dead. Judas
rose as well, and propagated himself on the face of the earth. He has
many children now. The life opposers. The life-resisters. The
life-enemies. But we will see who wins. We will see. In the name of
life, and the love of life, a man is almost invincible. I have found it
so.”
“I believe it also,” said Somers.
They were silent, and Kangaroo sat there with the rapt look on his face:
a pondering, eternal look, like the eternity of the lamb of God grown
into a sheep. This rather wicked idea came into Somers’ mind: the lamb
of God grown into a sheep. So the man sat there, with his wide-eyed,
rapt face sunk forward to his breast, very beautiful, and as eternal as
if it were a dream: so absolute.
A wonderful thing for a sculptor. For Kangaroo was really ugly: his
pendulous Jewish face, his forward shoulders, his round stomach in its
expensively tailored waistcoat and dark grey, striped trousers, his very
big thighs. And yet even his body had become beautiful, to Somers--one
might love it intensely, every one of its contours, its roundnesses and
downward-drooping heaviness. Almost a grotesque, like a Chinese Buddha.
And yet not a grotesque. Beautiful, beautiful as some half-tropical,
bulging flower from a tree.
Then Kangaroo looked with a teasing little smile at Somers.
Public-domain text, read in full here on John Shaqi.
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