In a judgement by which anything is designated simply as great, it is not merely meant that the object has a magnitude, but that this magnitude is superior to that of many other objects of the same kind, without, however, any exact determination of this superiority. Thus there is always at the basis of our judgement a standard which we assume as the same for every one; this, however, is not available for any logical (mathematically definite) judging of magnitude, but only for aesthetical judging of the same, because it is a merely subjective standard lying at the basis of the reflective judgement upon magnitude. It may be empirical, as, _e.g._ the average size of the men known to us, of animals of a certain kind, trees, houses, mountains, etc. Or it may be a standard given _a priori_, which through the defects of the judging subject is limited by the subjective conditions of presentation _in concreto_; as, _e.g._ in the practical sphere, the greatness of a certain virtue, or of the public liberty and justice in a country; or, in the theoretical sphere, the greatness of the accuracy or the inaccuracy of an observation or measurement that has been made, etc. Here it is remarkable that, although we have no interest whatever in an Object,--_i.e._ its existence is indifferent to us,--yet its mere size, even if it is considered as formless, may bring a satisfaction with it that is universally communicable, and that consequently involves the consciousness of a subjective purposiveness in the use of our cognitive faculty. This is not indeed a satisfaction in the Object (because it may be formless), as in the case of the Beautiful, in which the reflective Judgement finds itself purposively determined in reference to cognition in general; but [a satisfaction] in the extension of the Imagination by itself. If (under the above limitation) we say simply of an object “it is great,” this is no mathematically definite judgement but a mere judgement of reflection upon the representation of it, which is subjectively purposive for a certain use of our cognitive powers in the estimation of magnitude; and we always then bind up with the representation a kind of respect, as also a kind of contempt for what we simply call “small.” Further, the judging of things as great or small extends to everything, even to all their characteristics; thus we describe beauty as great or small. The reason of this is to be sought in the fact that whatever we present in intuition according to the precept of the Judgement (and thus represent aesthetically) is always a phenomenon and thus a quantum.