The news of Kate's approaching happiness did more to comfort Lady
Desmond, and soothe her vexed spirit, than whole libraries of sound
reasoning and good advice could have done; nor was it difficult to
prevail on her to join them; and so the interval demanded by business
and etiquette sped away, and long before winter had yielded to the
coming spring, a quiet, happy wedding party assembled at the old
church. Mr. Winter was there, for the first time in his life, perhaps,
in white gloves; Lady Desmond; and the Wentworths, gay, polished,
kind-hearted triflers, all charmed with their new sister; and Burton,
gravely observant, looked on contentedly; and Mrs. Winter rather
nervous at the thoughts of entertaining so goodly a company.
And Mrs. O'Toole, though the wedding was peculiarly quiet, was
satisfied, perfectly, as she removed the long, graceful veil from her
child's head, and replaced it with a travelling bonnet, ejaculating,
"If mee blessed masther could look down from heaven, it's he that would
be proud an' happy. Sure he sees us this blessed minnit!"
Our tale is ended, and Kate Vernon merged in "The Viscountess Egerton."
We may not promise that her future will be all unclouded, but, at
least, she has a true, strong heart--a bold, clear spirit to aid her
through the rugged paths of life; to stand beside her in the storm, and
finally, to glide with her into the calm, still evening of time.
Lady Desmond is still a widow; she passes much of her time amongst her
hitherto uncared-for tenantry, and her happiest hours are spent in the
pleasant circle collected at Allerton.
Colonel Dashwood is married to a fair, bright girl, younger by a good
many years than himself, who looks up to him as a perfect Chevalier
Bayard.
Bruton remains a determined old bachelor.
The Winters are well, happy, and prosperous, as they deserve to be.
It was in the height of the high season of 1851, as we endeavoured to
"move round," in obedience to the imperious mandate of the policeman on
duty, at the case containing the celebrated Kooh-i-noor, in the Crystal
Palace, that our attention was attracted by the consequential air of an
elderly female, decidedly _embonpoint_, and well to do in the world,
as evidenced by her substantial black silk dress and bonnet, and rich
scarlet shawl.
"An', so that's the Kooh-i-noor, is it?" remarked the old lady in
audible accents, whether addressed to an individual companion or to the
crowd generally, we do not pretend to decide.
Public-domain text, read in full here on John Shaqi.
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