Katherine Lauderdale; Vol. 2 of 2Crawford, F. Marion (Francis Marion)
General
Katherine Lauderdale; Vol. 2 of 2
Crawford, F. Marion (Francis Marion)
Families -- Fiction; Interpersonal relations -- Fiction; New York (N.Y.) -- Fiction; Upper class -- Fiction
A momentary silence followed the words. Even Crowdie made no remark,
while both Hester and Katharine watched the elder man’s face, as women
do when a man who has known the world well speaks seriously of love.
“But then,” added Griggs himself, more lightly, and as though to destroy
the impression he had made, “most people never go to either end of the
path. They enter at one side, look up and down it, cross it, and go out
at the other. Something frightens them, or they don’t like the colour of
the roses, or they’re afraid of the thorns--in nine cases out of ten,
something drives them out of it.”
“How can one be driven out of love?” asked Katharine, gravely.
“I put the thing generally, and adorned it with nice similes and
things--and now you want me to explain all the details!” protested
Griggs, with a little rough laugh. “How can one be driven out of love?
In many ways, I fancy. By a real or imaginary fault of the other person
in the path, I suppose, as much as by anything. It won’t do to stand at
trifles when one loves. There’s a meaning in the words of the marriage
service--‘for better, for worse.’”
“I know there is,” said Katharine, growing pale, and choking herself
with the words in the determination to be brave.
“Of course there is. People don’t know much about one another when they
get married. At least, not as a rule. They’ve met on the stage like
actors in a play--and then, suddenly, they meet in private life, and are
quite different people. Very probably the woman is jealous and
extravagant, and has a temper, and has been playing the ingenuous young
girl’s parts on the stage. And the man, who has been doing the
self-sacrificing hero, who proposes to go without butter in order to
support his starving mother-in-law, turns out to be a gambler--or
drinks, or otherwise plays the fool. Of course that’s all very
distressing to the bride or the bridegroom, as the case may be. But it
can’t be helped. They’ve taken one another ‘for better, for worse,’ and
it’s turned out to be for worse. They can go to Sioux City and get a
divorce, but then that’s troublesome and scandalous, and one thing and
another. So they just put up with it. Besides, they may love each other
so much that the defects don’t drive them out of it. Then the bad one
drags down the good one--or, in rare cases, the good one raises the bad
one. Oh, yes--I’m not a cynic--that happens, too, from time to time.”
Crowdie looked at his wife with his soft, languishing glance, and if
Katharine had been watching him, she might have seen on his red lips
the smile she especially detested. But she was looking down and pressing
her hands together under the table. Hester Crowdie’s eyes were fixed on
her face, for she was very pale and was evidently suffering. Griggs also
looked at her, and saw that something unusual was happening.
Public-domain text, read in full here on John Shaqi.
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