Katherine Lauderdale; Vol. 2 of 2Crawford, F. Marion (Francis Marion)
General
Katherine Lauderdale; Vol. 2 of 2
Crawford, F. Marion (Francis Marion)
Families -- Fiction; Interpersonal relations -- Fiction; New York (N.Y.) -- Fiction; Upper class -- Fiction
She spoke with an effort, almost forcing the syllables from her lips,
for she was suffering terribly just then. She wished that her mother
would go away, and leave her to herself, if only for half an hour. She
had so much more to think of than any one could know, or guess--except
old Robert Lauderdale and Jack himself.
“Well, child--as you like,” said Mrs. Lauderdale, feeling that she had
made a series of mistakes. “I’m sure I don’t care to talk about it in
the least, but I can’t prevent your father from saying what he pleases.
Of course he began to make remarks about your not coming to breakfast
this morning. I didn’t go down myself until he had nearly finished, and
he seemed hurt at our neglecting him. And then, he had been reading the
paper, and so the question came up. But, dearest, don’t think I’m unkind
and heartless and all that sort of thing. I love you dearly, child.
Don’t you believe me?”
She put her arm round Katharine’s neck and kissed her.
“Oh, yes!” Katharine answered wearily. “I’m sure you do.”
Mrs. Lauderdale looked into her face long and earnestly.
“It’s quite wonderful!” she exclaimed at last. “You’re a little
pale--but, after all, you’re just as pretty as ever this morning.”
“Am I?” asked Katharine, indifferently. “I don’t feel pretty.”
“Oh, well--that will all go away,” answered Mrs. Lauderdale, withdrawing
her arm and turning towards the door. “Yes,” she repeated thoughtfully,
as though to herself, “that will all go away. You’re so young--still--so
young!”
Her head sank forward a little as she went out and she did not look back
at her daughter.
Katharine drew a long breath of relief when she found herself alone. The
interview had not lasted many minutes, but it had seemed endless. She
looked at the torn pieces of the newspaper which lay on the floor, and
she shuddered a little and turned from them uneasily, half afraid that
some supernatural power might force her to stoop down and pick them up,
and fit them together and read the paragraph to the end. She sat down to
try and collect her thoughts.
But she grew more and more confused as she reviewed the past and tried
to call up the future. For instance, if John Ralston came to the house
that afternoon, to explain, to defend himself, to ask forgiveness of
her, what should she say to him? Could she send him away without a word
of hope? And if not, what hope should she give him? And hope of what? He
was her husband. He had a right to claim her if he pleased--before every
one.
The words all seemed to be gradually losing their meaning for her. The
bells of the horse-cars as they passed through Clinton Place sang queer
little songs to her, and the snow-glare made her eyes ache. There was no
longer any apparent reason why the day should go on, nor why it should
end. She did not know what time it was, and she did not care to look.
What difference did it make?
Public-domain text, read in full here on John Shaqi.
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